Seeks to bring present-day philosophy principles into the history of aesthetics.Before the publication of Aesthetics from Classical Greece to the Present there were three histories of aesthetics in English—Bosanquet's pioneering work, the second part of Croce's Aesthetic in the Ainsle translation, and the comprehensive volume by Gilbert and Kuhn. While each of these is interesting in its own ways, and together they cover a good deal of ground, none of them is very new. Thus none could take advantage of recent work on many important philosophers and periods and bring into a consideration of the past the best concepts and principles that have been developed by present-day philosophy.In Aesthetics from Classical Greece to the Present the author seeks to bring these principles to the forefront in exploring the history of aesthetics.
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Beardsley's book … It illuminates an area of history from a certain perspective as was never done before.... The distinguishing feature of his book is an excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation."" - The Journal of Aesthetics and Art Criticism
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Part 1 First thoughts. Part 2 Plato: art and imitation; beauty; morality; bibliography. Part 3 Aristotle: the proper pleasure of tragedy; Aristotle's answer to Plato. Part 4 The later classical philosophers: Hellenism and Roman Catholicism; Plotinus. Part 5 The Middle Ages: St Augustine; St Thomas Aquinas; the theory of interpretation. Part 6 The Renaissance: Neoplatonism; theory of painting; music and poetry. Part 7 The Enlightenment: Cartesian rationalism: poetics; theory of painting and music; toward a unified aesthetics. Part 8 The Enlightenment: empiricism - imagination and artistic creation; the problem of taste - Shaftsbury to Hume; the aesthetic qualities - Hogarth to Alison. Part 9 German idealism: Immanuel Kant; objective idealism. Part 10 Romanticism: the aesthetics of feeling; theories of the imagination; Schopenhauer and Nietzsche. Part 11 The artist and society: art for art's sake; realism; social responsibility. Part 12 Contemporary developments: Croce and the metaphysicians; Santayana and Dewey; semiotic approaches; Marxism-Leninism; phenomenology and existentialism; empiricism.
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“For those of us who want to know what philosophers have said about beauty and the arts, this book will be especially useful.”- Philosophical Review;“Beardsley’s book accomplishes to perfection what the writer intended. It illuminates an area of history from a certain perspective as was never done before. . . . The distinguishing feature of his book is a n excitement over everything I aesthetics that has to do with symbols, meanings, language, and modes of interpretation. And this excitement has brought to light facets of the history of the subject never noticed before, or at least, not so clearly.”- Journal of Aesthetics and Art Criticism
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Produktdetaljer

ISBN
9780817366230
Publisert
1975-10-30
Utgiver
Vendor
The University of Alabama Press
Vekt
588 gr
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
416