Contemporary art can be baffling and beautiful, provocative and disturbing. This pioneering book presents a new look at the controversial period between 1945 and 2000, when art and its traditional forms were called into question. It focuses on the relationship between American and European art, and challenges previously held views about the origins of some of the most innovative ideas in art of this time. Major artists such as Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, and Damien Hirst are all discussed, as is the art world of the last fifty years. Important trends are also covered including Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and the art of the nineties.
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This title sets out to provide the a concise interpretation of the period 1945 to 2000. Jackson Pollock, Andy Warhol, Cindy Sherman, and Damien Hirst are among many artists discussed, within the political and cultural worlds they inhabited.
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INTRODUCTION; 1 THE POLITICS OF MODERNISM: ABSTRACT EXPRESSIONISM AND THE EUROPEAN INFORMEL; 2 DUCHAMP'S LEGACY: THE RAUSCHENBERG-JOHNS AXIS; 3 THE ARTIST IN CRISIS: FROM BACON TO BEUYS; 4 BLURRING BOUNDARIES: POP ART, FLUXUS AND THEIR EFFECTS; 5 MODERNISM IN RETREAT: MINIMALIST AESTHETICS AND BEYOND; 6 THE DEATH OF THE OBJECT: THE MOVE TO CONCEPTUALISM; 7 POSTMODERNISM: THEORY AND PRACTICE IN THE 1980S; 8 INTO THE 1990S; NOTES; BIBLIOGRAPHIC ESSAY; TIMELINE; INDEX
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An invaluable guide to art of the second half of the twentieth century * Sandy Nairne, Tate Gallery *The intelligent and sophisticated synthesis of key debates makes this volume invaluable. This skilful re-integration of developments in the art of post-war Europe with that of America is impressive and controversial * Patricia Bickers, Art Monthly *
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Produktdetaljer

ISBN
9780192842343
Publisert
2000
Utgiver
Vendor
Oxford University Press
Vekt
674 gr
Høyde
238 mm
Bredde
168 mm
Dybde
16 mm
Aldersnivå
01, G
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
288

Forfatter

Biographical note

Dr David Hopkins is Lecturer in Art History at the University of St Andrews where his broad areas of specialism are Dada and Surrealism, the history and theory of post-1945 art and twentieth century photography. He has published extensively on Dada and Surrealism and related topics in post-war art. Publications include his books Marcel Duchamp and Max Ernst: the Bride Shared (Oxford University Press, Clarendon Studies in the History of Art, 1988) and Marcel Duchamp (London, 1989), co-authored with Dawn Ades and Neil Cox. He also writes and performs poetry, often in collaboration with other performers and visual artists.