One of Britain's foremost TV practitioners, Andrew Davies is the creator of programmes such as 'A Very Peculiar Practice', 'To Serve Them All My Days', 'Pride and Prejudice', 'Othello' and 'The Way We Live Now'. Although best known for his adaptations of the work of writers such as Jane Austen and George Eliot, he has written numerous original drama series, single plays, films, stage plays and books. This volume offers a critical appraisal of Davies’s work, and assesses his contribution to British television.Cardwell also explores the conventional notions of authorship and auteurism which are challenged by Davies’s work. Can we identify Davies as the author of the varied texts attributed to him? If so, does an awareness of his authorial role aid our interpretation and evaluation of those texts? How does the phenomenon of adaptation affect the issue of authorship? How important is ‘the author’ to television? This book will appeal to both an academic readership, and to the many people who have taken pleasure in Davies’s work.
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Offers a critical appraisal of the work of screenwriter Andrew Davies ('Pride and Prejudice', 'The Way We Live Now'), and assesses his contribution to British television.
General Editors' PrefaceAcknowledgementsIntroduction1. Andrew Davies: biographical sketch2. Questions of authorship3. Making his mark: Davies's non-adapted ('original') television work4. Authorship and adaptation: Davies's adaptations from 'non-classic' literature5. The classic-novel adaptations: Voice(s) and genre6. Distinguishing the televisual7. Conclusion: Davies, television, criticism and authorshipList of programmes, films and other textsBibliographyAppendix 1: 'The Signalman' by Charles DickensAppendix 2: Extract from 'The Way We Live Now' by Anthony TrollopeIndex
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One of Britain's foremost TV practitioners, Andrew Davies is the creator of programmes such as 'A Very Peculiar Practice', 'To Serve Them All My Days', 'Pride and Prejudice', 'Othello' and 'The Way We Live Now'. Although best known for his adaptations of the work of writers such as Jane Austen and George Eliot, he has written numerous original drama series, single plays, films, stage plays and books. This volume offers a critical appraisal of Davies’s work, and assesses his contribution to British television.Cardwell also explores the conventional notions of authorship and auteurism which are challenged by Davies’s work. Can we identify Davies as the author of the varied texts attributed to him? If so, does an awareness of his authorial role aid our interpretation and evaluation of those texts? How does the phenomenon of adaptation affect the issue of authorship? How important is ‘the author’ to television? This book will appeal to both an academic readership, and to the many people who have taken pleasure in Davies’s work.
Les mer

Produktdetaljer

ISBN
9780719064920
Publisert
2005-05-05
Utgiver
Vendor
Manchester University Press
Vekt
313 gr
Høyde
216 mm
Bredde
138 mm
Dybde
14 mm
Aldersnivå
U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
240

Forfatter

Biographical note

Sarah Cardwell is Lecturer in Film and Television Studies at the University of Kent