This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what 'messages' they transmitted and how the surrounding environment shaped their meaning. The book contains nearly five hundred illustrations (with over four hundred in colour), including specially commissioned photographs, maps, floorplans and reconstructions. Judith M. Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta figurines, reliefs, jewellery and wall paintings. Numerous text boxes, chapter summaries and timelines, complemented by a detailed glossary, support student learning.
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This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Emphasizing context and function, Barringer explores the purpose and use of buildings and objects within their particular time and place, leading students to a rich sociohistorical understanding of Greek art.
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Introduction; 1. The Bronze Age and early Iron Age in Greece; 2. The Geometric period (c.900-700 BC) and the seventh century BC; 3. The Archaic Mediterranean; 4. The Classical period: the fifth century BC; 5. The late Classical period and Alexander, c.400-323 BC; 6. The legacy of Alexander: the Hellenistic world; 7. Roman conquest and the conquest of Rome; Glossary.
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'This book is a superb resource for students and teachers of ancient Greek art specifically and the ancient Greek world as a whole. Barringer strikes an ideal balance between brevity and depth, leaving just enough room between the sentences for dialogue, discussion, and discourse. No mere survey, this important new text goes out of its way to problematize traditional narratives and point to the hidden riches and complexities of the field.' Peter Schultz, Concordia College, Moorhead, Minnesota'There is no lack of good introductions to the art and archaeology of ancient Greece, but Barringer's new book - clearly written and presented, incorporating the latest scholarship, and superbly illustrated (many images are new, unusual and uncommonly instructive in themselves) - will occupy the first rank. The narrative is made to order for undergraduate surveys, but even advanced students and scholars will benefit from the book's succinct and perceptive analyses of the themes, functions and cultural contexts of the major monuments of Greek art and architecture. It is that rare thing: a readable survey that intimates the richness, depth and complexity of its subject.' Jeffrey M. Hurwit, University of Oregon
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This richly illustrated, four-colour textbook introduces the art and architecture of ancient Greece with an emphasis on function and context.

Produktdetaljer

ISBN
9780521171809
Publisert
2015-02-09
Utgiver
Vendor
Cambridge University Press
Vekt
1620 gr
Høyde
280 mm
Bredde
217 mm
Dybde
25 mm
Aldersnivå
05, 06, U, P
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
445

Biographical note

Judith M. Barringer is Professor of Greek Art and Archaeology in Classics at the University of Edinburgh. Her areas of specialization are Greek art and archaeology and Greek history, myth, and religion. Professor Barringer is the author of Art, Myth, and Ritual in Classical Greece (Cambridge University Press, 2008); The Hunt in Ancient Greece (2001); and Divine Escorts: Nereids in Archaic and Classical Greek Art (1995) and co-editor (with Jeffrey M. Hurwit) of Periklean Athens and Its Legacy: Problems and Perspectives (2005). She has been awarded grants from the National Endowment for the Humanities at the American School of Classical Studies in Athens and the British Academy, among others. She was a Blegen Research Fellow at Vassar College and a Senior Fellow at the Internationales Forschungszentrum Kulturwissenschaften in Vienna, and she currently holds a Marie Curie Fellowship at the Institut fur Klassische Archaologie at the Freie Universitat Berlin from the M4Human Programme of the Gerda Henkel Stiftung.