Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan.Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Les mer
A searing critique of participatory art by an iconoclastic historian.
Claire Bishop has articulated an important historical overview of the global emergence of participatory art ... Her controversial and thought-provoking conclusions courageously trouble our assumptions about the effectiveness of political artworks, questioning their oppositional quality, their effects on the audiences they reach, and their relation to the institutions that promote them.
Les mer
A searing critique of participatory art by an iconoclastic historian

Produktdetaljer

ISBN
9781844676903
Publisert
2012-07-24
Utgiver
Vendor
Verso Books
Vekt
634 gr
Høyde
234 mm
Bredde
157 mm
Dybde
30 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
390

Forfatter

Biographical note

Claire Bishop is a British art historian, critic, and Professor of Art History at The Graduate Center, CUNY, New York. Bishop is known as one of the central theorists of participation in visual art and performance, Her books have been translated into over eighteen languages and she is a frequent contributor to art journals including Artforum and October. She is also the author of Radical Museology, or, What's Contemporary in Museums of Contemporary Art.