Gian Lorenzo Bernini (1598-1680) was the greatest and most influential sculptor of his age. Endlessly inventive and gifted with extraordinary skill, he virtually created the Baroque style. In his religious sculptures he excelled at capturing movement and extreme emotion, uniting figures with their setting to create a single conception of overwhelming intensity that perfectly expressed the fervour of Counter-Reformation Rome. Intensity and drama also characterize his remarkable portraits and his world-famous Roman fountains. Rudolf Wittkower's classic monograph and catalogue raisonne has been the standard established work on Bernini since 1955. It is now available in an updated and expanded edition. The concise but masterly survey provides an authoritative introduction to Bernini's work, while the full catalogue gives detailed, scholarly and up-to-date information on his complete oeuvre.
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A catalogue raisonne of the greatest sculptor of his age.
Early works and Borghese patronage; religious imagery; portrait busts; work in St Peter's and the Vatican; the Cornaro Chapel, other chapels, churches, and the Baroque stage; fountains and monuments; Bernini and his period - the organization of the studio - theory and practice.
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'First published in 1955, this volume has never been topped for its clarity of discourse or the stunning beauty of its reproductions. It is the black and white photographs of Bernini's breathtaking sculpture that best capture the timeless wonder of their precision and vitality.' (Booklist) 'Wittkower's Bernini rightly enjoys almost canonical status among studies of the artist and his age, as an elegant survey which provides deep insight and rests lightly on profound scholarship.' (Burlington Magazine)
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Produktdetaljer

ISBN
9780714837154
Publisert
1997-09-26
Utgave
4. utgave
Utgiver
Vendor
Phaidon Press Ltd
Høyde
280 mm
Bredde
250 mm
Dybde
30 mm
Aldersnivå
05, 01, 06, UU, G, P
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
320

Forfatter

Biographical note

Rudolf Wittkower was one of the most distinguished art historians of the twentieth century.