Addressing Spinoza’s perennial question: “why do the masses fight for their servitude as if it was salvation?”, Capitalism and the Limits of Desire examines the ways in which self-love as the care of the self has become intertwined with self-love as the pursuit of pleasure. With ongoing austerity and misery for so many, why does capitalism seem to be so insurmountable, so impossible to move beyond? John Roberts offers a compelling response: it is because we love the love of self that capitalism enables, even though it brings anxiety and self-scrutiny. Capitalism in the form of commodities, and, more importantly, the online platforms through which we express ourselves, has become so much of who we are, of how we define self-love as self-pleasure that it is difficult to imagine ourselves outside of it. Roberts contends that disentangling ourselves from this collapsing of self into capitalism is possible and that understanding the insidious nature of capitalist thinking even when it comes to our deepest pleasures is the starting point. Using early and late Marx, Lacan’s distinction between pleasure and desire and the recent debate on perfectionism (Hurka) as his guides, Roberts lays out a way for individuals to move forward and forge a link between self and desire outside the oppressive demands of platform capitalism.
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prelims acknowledgements Introduction: Chapter 1: Capitalism, jouissance and subjective ruination Chapter 2: Individuation, ‘egoism’ and social reproduction Chapter 3: Self-love, jouissance and desire Chapter 4: Perfectionism, individuation and self-realization Conclusion bibliography index
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Why is challenging or overcoming capitalism such a difficult project when its economic, social, and environmental failures are abundantly clear? John Roberts proposes a unique answer, it is because capital has become part of our very conception of ourselves, our self-love.
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A radical treatise exploring how loving oneself has been collapsed into loving capitalism but with a hopeful, emancipatory message.
Combines both theory and practice resulting in a lively, grounded and accessible approach

Produktdetaljer

ISBN
9781350214941
Publisert
2021-09-09
Utgiver
Vendor
Bloomsbury Academic
Vekt
454 gr
Høyde
216 mm
Bredde
138 mm
Aldersnivå
U, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
264

Forfatter

Biographical note

John Roberts is Professor of Art and Aesthetics at the University of Wolverhampton, UK. He is author of The Intangibilities of Form: Skill and Deskilling in Art After the Readymade (2007), The Necessity of Errors (2010), Photography and Its Violations (2014), Revolutionary Time and the Avant-Garde (2015), Thoughts on an Index Not Freely Given (2016) and His The Reasoning of Unreason (Bloomsbury 2018) and co-editor of Boris Arvatov, Art and Production (2017)