Could Buster Keaton have starred in Battleship Potemkin? Did Trotsky plan to write the great Soviet comedy? And why did Lenin love circus clowns? The Chaplin Machine reveals the lighter side of the Communist avant-garde and its unlikely passion for American slapstick. Set against the backdrop of the great Russian revolutionary experiment, Owen Hatherley tells the tragic-comedic story of the cinema, art and architecture of the early 20th Century and spotlights the unlikely intersections of East and West.
Les mer
The tragic-comedic story of the cinema, art and architecture of the early 20th Century, highlighting the unlikely intersections of East and West
Introduction: Americanism and Fordism – and Chaplinism 1. Constructing the Chaplin Machine 2. Red Clowns to the Rescue 3. No Rococo Palace for Buster Keaton 4. The Rhythm of Socialist Construction Conclusion Acknowledgements Notes Index
Les mer
'Traces an enjoyably idiosyncratic path back and forth between film studios and factories on opposing continents ... offers intellectual excitement as well as rigour'

Produktdetaljer

ISBN
9780745336015
Publisert
2016-05-20
Utgiver
Vendor
Pluto Press
Vekt
358 gr
Høyde
198 mm
Bredde
129 mm
Aldersnivå
Trade, U, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
240

Forfatter

Biographical note

Owen Hatherley is an architecture and culture critic whose writings have spanned Soviet Constructivism, to the merits of Coventry train station. His acerbic wit and sense for 'place' can be found in the pages of Guardian and Architects Journal. He is the author of numerous books on architecture and culture, including The Chaplin Machine (Pluto Press, 2016), Trans-Europe Express (Penguin, 2017), A Guide to the New Ruins of Great Britain (Verso, 2010) and Militant Modernism (Zero, 2009).