Preface to the 2013 EditionTranslators' NotePreface to the English EditionPreface to the Italian EditionAcknowledgments1. Menocchio2. The town3. First interrogation4. "Possessed?"5. From Concordia to Portogruaro6. "To speak out against his superiors"7. An archaic society8. "They oppress the poor"9. "Lutherans" and Anabaptists10. A miller, a painter, a buffoon11. "My opinions came out of my head"12. The books13. Readers of the town14. Printed pages and "fantastic opinions"15. Blind alley?16. The temple of the virgins17. The funeral of the Madonna18. The father of Christ19. Judgment day20. Mandeville21. Pigmies and cannibals22. "God of nature"23. The three rings24. Written culture and oral culture25. Chaos26. Dialogue27. Mythical cheeses and real cheeses28. The monopoly over knowledge29. The words of the Fioretto30. The function of metaphors31. "Master," "steward," and "workers"32. An hypothesis33. Peasant religion34. The soul35. "I don't know"36. Two spirits, seven souls, four elements37. The flight of an idea38. Contradictions39. Paradise40. A new "way of life"41. "To kill priests"42. A "new world"43. End of the interrogations44. Letter to the judges45. Rhetorical figures46. First sentence47. Prison48. Return to the town49. Denunciations50. Nocturnal dialogue with the Jew51. Second trial52. "Fantasies"53. "Vanities and dreams"54. "Oh great, omnipotent, and holy God . . ."55. "If only I had died when I was fifteen"56. Second sentence57. Torture58. Scolio59. Pellegrino Baroni60. Two millers61. Dominant culture and subordinate culture62. Letters from RomeNotesIndex of Names

A wonderful book... Ginzburg is a historian with an insatiable curiosity, who pursues even the faintest of clues with all the zest of a born detective until every fragment of evidence can be fitted into place. The work of reconstruction is brilliant, the writing superbly readable, and by the end of the book the reader who has followed Dr. Ginzburg in his wanderings through the labyrinthine mind of the miller of the Friuli will take leave of this strange and quirky old man with genuine regret. -- J. H. Elliott New York Review of Books Ginzburg has excavated a marvelous and melancholy tale. Lay readers know that historical work of this order requires formidable skills and dogged research... Ginzburg's discovery of Menocchio is a dazzling entry into the historical world of popular culture. -- Lauro Martines Washington Post Why should we reread the story of Menocchio thirty-eight years after its publication? First, this new edition is a timely update. Ginzburg has penned a new preface and bibliographical information has been augmented. Second, because it is a work of rare scholarship that no student should forget, despite the fact that the context in which this book was crafted has significantly changed. -- Cristiano Zanetti Sixteenth Century Journal