An important though little understood aspect of the response of nineteenth-century Americans to nature is the widespread interest in the scenery of swamps, jungles, and other wastelands. Dark Eden focuses on this developing interest in order to redefine cultural values during a transformative period of American history. Professor Miller shows how for many Americans in the period around the Civil War nature came to be regarded less as a source of high moral insight and more as a sanctuary from an ever more urbanised and technological environment. In the swamps and jungles of the South a whole range of writers and artists found a set of strange and exotic images by which to explore changing social realities of the times and the deep-seated personal pressures that accompanied them.
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Professor Miller examines prominent writers and painters of nineteenth-century America who explored the scenery of swamps, jungles, and other wastelands. Through this examination, Miller discusses the changing social realities around the Civil War and the deep-seated personal pressures that the urbanised and technological environment had on these artists.
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List of Illustrations; Acknowledgements; Introduction; Part I. The Matrix of Transformation: 1. To the lake of the dismal swamp: Porte Crayon's inward journey; 2. The elusive Eden: the mid-Victorian response to the swamp; 3. Mid-Victorian cultural values and the amoral landscape: the swamp image in the work of William Gilmore Simms and Harriet Beecher Stowe; Part II. The Phenomenology of Disintegration: 4. Frederic Church in the tropics; 5. The penetration of the jungle; 6. American nature writing in the mid-Victorian period: from pilgrimage to quest; 7. A loss of vision: the cultural inheritance; 8. A loss of vision: the challenge of the image; 9. Infection and imagination: the swamp and the atmospheric analogy; Part III. The Circuit of Death and Regeneration: 10. Immersion and regeneration: Emerson and Thoreau; 8. The identification with desert places: Martin Johnson Heade and Frederick Goddard Tuckerman; 12. Religion, science, and nature: Sidney Lanier and Lafcadio Hearn; Conclusion: Katherine Anne Porter's Jungle and the Modernist idiom; Appendix; Notes; Selected Bibliography; Index.
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"An important milestone in American cultural, geographical and visual history, Dark Eden meticulously analyzes not only an evolving scientific understanding of swamps, but the use of swamps as symbols of female nature and of social crises, especially slavery, in the work of Stowe, Simms, Church, Heade, Strother, Tuckerman, Lanier, Hearn and others....Miller's book makes clear the extraordinary links between American wilderness and national, not regional, cultural bias, and thrusts deeply into twentieth-century attitudes....Dark Eden is a breathtakingly incisive book of extremely wide importance." American Studies"His study has much to offer. It gives evidence of enormous archival work in a little-known documents, and it makes the results of that research available to a wide audience of culture critics, art historians, and scholars of American literature. Its erudition is undeniable. Dark Eden is likely to prove stimulating and to evoke scholarly discussion for a long time to come." American Literature"...a wide-ranging, generously illustrated cataloguing of the metaphor of the swamp (and marsh and jungle) in American painting, writing and folklore. Miller's attention both to the physical shapes of particular landscapes and to what artists project on to a landscape makes the book a useful extension of work in a Canadian context by Dick Harrison, Robert Thacker and Gaile MacGregor." Canadian Literature
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Professor Miller examines prominent writers and painters of nineteenth-century America who explored the scenery of swamps, jungles, and other wastelands.

Produktdetaljer

ISBN
9780521147460
Publisert
2010-08-26
Utgiver
Vendor
Cambridge University Press
Vekt
610 gr
Høyde
254 mm
Bredde
178 mm
Dybde
19 mm
Aldersnivå
05, 06, U, P
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
350

Forfatter