By focusing on death and mortality, and drawing on a fresh and distinctive body of thought, this thoughtful and strangely pleasurable book provides new resources for thinking about the role of music in contemporary culture, and in people’s lives.

- David Hesmondhalgh, Professor of Media, Music and Culture, University of Leeds, UK,

Once again, Christopher Partridge takes us on an adventure into rarely considered regions of the pop culture world. Bringing together two of humankind’s defining experiences—our awareness of death, the possibility of a world in which we are not, and our compulsion to record, celebrate, and lament our life courses musically—he has given us another example of why he remains one of our premier pop culture scholars. Highly recommended.

- Douglas E. Cowan, Professor of Religious Studies and Social Development Studies, Renison University College, Canada,

Delightfully spooky and illuminating all at once. Christopher Partridge is Virgil-in-headphones guiding readers into the realms of the dead. Analyzing a vast catalogue of popular songs through various theoretical lenses, and considering ways artists and audiences identify with them, he finds music functioning as <i>memento mori</i>, reminders of mortality; as a form of memory, a medium for the returned, the revenant; and as a cultural strategy for dealing with impermanence. Violence, gore, pilgrims hanging around the graves of dead rock stars—it’s all here, thoroughly researched and beautifully written.

- Michael J. Gilmour, Associate Professor of New Testament and English Literature, Providence University College, Canada,