All sounds accompanying film are to some extent emotive, and some are literal This special issue features articles that consider the immersive experience of film and cinema. A biannual journal, The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Former editors of The Soundtrack, Stephen Deutsch, Larry Sider and Dominic Power, bring their expertise to this project, providing a new platform for discourse on how aural elements combine with moving images.
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Editorial89Listen to NiceGeoffrey Cox107Knocking at the door of cinematic artifice: Dolby Atmos, challenges and opportunitiesGianluca Sergi123Landscape, soundscape, taskscape in the films The Hurt Locker (2008), Katalin Varga (2009)Jean Martin137What do we hear? The pluralism of sound design in Hollywood sound productionBenjamin Wright159The sounds of space: Social space and social listening (Part 1)Tom Lock Griffiths175Altered States, Altered Sounds: An investigation of how ‘subjective states’ are signified by the soundtrack of dream sequences in narrative fiction cinemaGilbert Gabriel
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Produktdetaljer

ISBN
9780748682393
Publisert
2013-09-18
Utgiver
Edinburgh University Press
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet

Biografisk notat

Stephen Deutsch is Professor of Post-Production at Bournemouth University and Visiting Tutor in Screen Composition at the National Film & Television School. Larry Sider is Director of the School of Sound symposium and former Head of Post-Production at the National Film and Television School. Dominic Power is an independent writer and film historian.