Peter Davidson's admirably even-handed anthology.

Alison Shell, The Seventeenth Century, Vol.XIV, No.1., Spring 1999.

The section on religious poetry is particularly well-designed to showcase writers who are well-known in other contexts than the poetic.

Alison Shell, The Seventeenth Century, Vol.XIV, No.1., Spring 1999.

Davidson's book casts a wide net, with a good instinct for what it would be annoying to leave out or redundant to include. The volume, in particular, is exemplary in including plenty of verse from Scottish, Irish and Welsh writers, with translations where necessary ... Where most anthologies are either a florilegium or a work of salvage, Davidson's contrives to be both.

Alison Shell, The Seventeenth Century, Vol.XIV, No.1., Spring 1999.

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Peter Davidson has, to his great credit, created a book which allows the verse from this period to speak its own language. Colin Burrow/LRB 7 Jan 1999

Poetry and Revolution is a radical re-examination of the canon of mid-seventeenth-century verse. The author questions and discards the old description of the period as 'Cavalier Poetry' and advances instead a tumultuous, pluralistic canon rich in radical writing and poetry by those marginalized until recently in historical and literary accounts of the period. As well as a substantial quantity of women's verse, much of it previously unpublished, Poetry and Revolution contains Irish, Scots, Scots Gaelic, and Welsh verse. This is in sympathy with the current debate about the Civil Wars which challenges the old exclusive focus on England and sees the events of the mid century in a wider context. The book has very full historical and bibliographical information, explication of all allusions, translations of all verse not in English, old spelling texts derived in every case from primary sources, and a wide ranging introduction covering such subjects as canon-formation, historical fiction, and the revision of the literary history of the period.
Les mer
This is a re-examination of the canon of mid-17th-century verse. It discards previous conceptions of the period and advances a pluralistic canon which challenges the exclusive focus on England by including marginalized texts by women and Irish, Scots, Scots Gaelic and Welsh verse.
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Preface ; Acknowledgements ; Introduction ; Note on the Text and Annotation ; I. Friendship, Affection, and Love ; II. Song Texts and Poems about Music ; III. Spiritual Poems and Prophecies ; IV. Halcyon Dayes: Peace and the Good Life ; V. Poems of War and Revolution ; VI. The Restoration ; Appendix 1: Index of Classical and Biblical Names ; Appendix 2: Index of Contemporary Names ; Appendix 3: Biographical Notes on Author ; Appendix 4: Chronology 1625-1660 ; Appendix 5: Index of Authors ; Index of Titles and First Lines
Les mer
`Peter Davidson's admirably even-handed anthology.' Alison Shell, The Seventeenth Century, Vol.XIV, No.1., Spring 1999. `The section on religious poetry is particularly well-designed to showcase writers who are well-known in other contexts than the poetic.' Alison Shell, The Seventeenth Century, Vol.XIV, No.1., Spring 1999. `Davidson's book casts a wide net, with a good instinct for what it would be annoying to leave out or redundant to include. The volume, in particular, is exemplary in including plenty of verse from Scottish, Irish and Welsh writers, with translations where necessary ... Where most anthologies are either a florilegium or a work of salvage, Davidson's contrives to be both.' Alison Shell, The Seventeenth Century, Vol.XIV, No.1., Spring 1999. Peter Davidson has, to his great credit, created a book which allows the verse from this period to speak its own language. Colin Burrow/LRB 7 Jan 1999
Les mer
Includes a large quantity of material otherwise unavailable, in particular writing by women and by Irish, Scots, and Welsh writers. Represents a completely fresh survey of the corpus of mid-seventeenth-century writing, aiming to complement the recent critical developments in the study of the period, both literary and historical. Includes poems by John Milton, Andrew Marvell, Sir Richard Fanshawe, Robert Herrick, Richard Crashaw, Edmund Waller, and many others, with a good representation of women poets. Davidson's wide ranging introduction includes an examination of such subjects as canon-formation, historical fiction, and the revision of the literary history of the period.
Les mer
The author has lectured in English and Scottish Literature, Renaissance Studies, and Comparative Literature at the Universities of St Andrews, Stirling, and Leiden.
Includes a large quantity of material otherwise unavailable, in particular writing by women and by Irish, Scots, and Welsh writers. Represents a completely fresh survey of the corpus of mid-seventeenth-century writing, aiming to complement the recent critical developments in the study of the period, both literary and historical. Includes poems by John Milton, Andrew Marvell, Sir Richard Fanshawe, Robert Herrick, Richard Crashaw, Edmund Waller, and many others, with a good representation of women poets. Davidson's wide ranging introduction includes an examination of such subjects as canon-formation, historical fiction, and the revision of the literary history of the period.
Les mer

Produktdetaljer

ISBN
9780198184416
Publisert
1998
Utgiver
Oxford University Press
Vekt
1097 gr
Høyde
244 mm
Bredde
163 mm
Dybde
37 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
720

Redaktør

Biografisk notat

The author has lectured in English and Scottish Literature, Renaissance Studies, and Comparative Literature at the Universities of St Andrews, Stirling, and Leiden.