"'Swift has clearly learned a good deal from recent developments in literary theory but deploys them with a keen philosophical intelligence and a well-developed sense of their various shortcomings when applied without sufficiently detailed analysis of the concepts and categories involved... Altogether this book carves out a distinctive and important place in the border-zone between philosophy, literary theory, and cultural history.' Professor Christopher Norris, Cardiff University "Swift's study is a major intervention in what might be described either as post-deconstructive philosophical criticism or theoretically advanced intellectual history." Margaret Russett, Studies in English Literature 1500-1900"

'This book carves out a distinctive and important space in the border-zone between philosophy, literary theory, and cultural history.' Christopher Norris, Distinguished Research Professor in Philosophy, Cardiff University 'Swift's remarkable [book] stands out as a highly theoretical study in at least two respects: its engagement with figures who defined theory before the advent of the New Historicism and its forceful re-reading of texts by Kant and Rousseau that fostered deconstruction ...Swift's study is a major intervention in what might be described either as postdeconstructive philosophical criticism or theoretically advanced intellectual history.' Margaret Russett, Studies in English Literature 1500--1900 Romanticism, Literature and Philosophy proposes a radical re-visioning of Romantic literature by developing a new insight into its philosophical importance. It challenges both a number of recent attacks on philosophical reason, and new historicist readings of Romanticism, by arguing that they fundamentally misinterpret what reason is in strikingly similar ways.Engaging with the philosophical, political and literary writings of Rousseau, Kant and Mary Wollstonecraft, and with the deconstruction of Paul de Man and Gayatri Spivak, it suggests that postmodernism's recent assault on Enlightenment universalism, and on aesthetic autonomy, in the name of particularity and heterogeneity underestimates the capacity of reason to orient itself towards forms of anthropological and literary difference. Simon Swift is Lecturer in Critical and Cultural Theory at the School of English, University of Leeds, UK. He is author of Hannah Arendt (Routledge, 2008).
Les mer
A monograph covering Romanticism and philosophy, focusing on aesthetics and reason. It proposes a radical revisioning of Romantic literature by developing a fresh insight into its philosophical importance. It challenges a number of attacks on philosophical reason, and historicist readings of Romanticism.
Les mer
Acknowledgements; List of Abbreviations; Introduction: Kant, Romanticism and the Ethics of Thinking; Part I: Foregrounding Philosophical Anthropology; 1 Stating the Case: Rousseau, Kant, Wollstonecraft; 2 Reflective Judgement as Symbolic Cognition; Part II: Reason in Theory; 3 Kant, Herder, Gayatri Spivak and the Question of Philosophical Anthropology; 4 Paul de Man and the Rhetoric of Contemporary Criticism; 5 Mary Wollstonecraft and the 'Reserve of Reason' Conclusion; Notes; Bibliography; Index.
Les mer
<p>A highly original and well researched monograph covering Romanticism and<br />philosophy, focusing particularly on aesthetics and reason, now available in paperback.</p>
Uses recent critical advances in Kant studies as a model for defending and exploring the philosophical importance of literature in the Romantic period.

Produktdetaljer

ISBN
9780826421319
Publisert
2008-12-01
Utgiver
Vendor
Continuum International Publishing Group Ltd.
Høyde
234 mm
Bredde
156 mm
Aldersnivå
UU, UP, P, 05, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
192

Forfatter

Biografisk notat

Simon Swift is Lecturer in Critical and Cultural Theory at the School of English, University of Leeds, UK.