INTRODUCTION AVANT-PROPOS PART 1: Three Dialogues 1. Steve BARFIELD: THE RESOURCES OF UNREPRESENTABILITY: A Lacanian Glimpse of Beckett’s Three Dialogues 2. David CUNNINGHAM: EX MIMESIS: Greenberg, Modernism and Beckett’s Three Dialogues 3. Andrew GIBSON: THREE DIALOGUES AND BECKETT’S TRAGIC ETHOS 4. David A. HATCH: “I AM MISTAKEN”: Surface and Subtext in Samuel Beckett’s Three Dialogues 5. Lois OPPENHEIM: DISTURBING THE FEASIBLE: Object Representation in Three Dialogues with Georges Duthuit 6. Jeremy PARROTT: “NOTHING NEATLY NAMED”: The Beckettian Aesthetic and Negative Theology 7. Philip TEW: THREE DIALOGUES AS A LAUGHABLE TEXT?: Beckett’s Bergsonian Comedy PART 2: Beckett and Modern Theatre 8. Catherine LAWS: THE MUSIC OF BECKETT’S THEATRE 9. Aleks SIERZ: “A RELEVANT AND CINEMATIC ENVIRONMENT”: Filming Beckett’s Plays 10. Paul B. KELLEY: DRAMA AND/AS THE PURSUIT OF NARRATIVE: Cascando and Inferno XXIV 11. Garin DOWD: KARAOKE BECKETT, OR JEREMY IRONS, MIMICRY AND TRAVESTY IN OHIO IMPROMPTU ON FILM 12. John DEAMER: AUTHORITY AND RESISTANCE: The Event in What Where PART 3: Free Space 13. Jean-Pierre FERRINI : À PARTIR DU DÉSERT: Dante et l’ «aphonie» de Virgile dans “Le calmant” de Samuel Beckett 14. Darren GRIBBEN: SAMUEL BECKETT: NUMBER 465. Censorship of the Self and Imagination in Beckett’s Work After World War II 15. Chiara MONTINI : WATT ET LE QUATRAIN HÉROÏQUE OU LE CHAOS EN RIME CROISÉE 16. María José CARRERA: THE RUPTURE OF THE LINES OF COMMUNICATION BETWEEN SUBJECT AND OBJECT IN BECKETT’S FOUR NOVELLAS 17. Marie-Hélène BOBLET-VIART : TOPIQUE ROMANESQUE ET DÉCONSTRUCTION NARRATIVE DANS MERCIER ET CAMIER