William Hope Hodgson and the Rise of the Weird Possibilities of the Dark
Produktdetaljer
Biografisk notat
Timothy S. Murphy is Houston-Truax-Wentz Professor & Regents Professor of English at Oklahoma State University, USA. He is author of Wising Up the Marks: The Amodern William Burroughs (1998), Antonio Negri: Modernity and the Multitude (2012), and over 30 scholarly articles on H.P. Lovecraft, Olaf Stapledon, William Morris, and a wide variety of other subjects. General editor of the scholarly journal Genre: Forms of Discourse and Culture from 2000 to 2013, he is also editor of The Philosophy of Antonio Negri (2 volumes, 2005-2007) as well as seven special journal issues for Angelaki, Genre, Sub-Stance, and Theory and Event.The first comprehensive study of the works of William Hope Hodgson, one of the true innovators of Weird fiction, this book examines the Weird novels and stories upon which his posthumous reputation rests, his non-fantastic writing, identifiable literary influences, and the historical contexts in which he wrote. Focusing extensively upon major works such as The House on the Borderland (1908) and The Night Land (1912), Timothy S. Murphy surveys topics including Hodgson’s experiments with code switching and linguistic experimentation; his depictions of racial and ethnic differences and gender and sexuality; the function of space and place in his writing; the adaptation of his shipboard experiences; and his use of abyssal time. With special attention paid to his paradoxical nihilist humanism, this book explores what made Hodgson a respected precursor to later innovators such as H. P. Lovecraft and C.L. Moore, and what makes him an important ancestor to 21st-century writers such as China Miéville, Greg Bear, and Charlie Jane Anders.
Demonstrating how his work is both of his time and ‘untimely’, Murphy recovers Hodgson as the most significant figure to precede the fantastically popular but deeply controversial Lovecraft, as well as a figure whose work challenges what has thus far been accepted about the genre and the interpretive perspectives from which we view it.
Preface: Weird Before the Weird
Introduction: Decognition and the Labor of the Weird
Part 1: Hope in Space and Time
Chapter 1: The Larger English
Chapter 2: Spoken to My Own Brother
Chapter 3: Teach Him to Know a Man
Part 2: Hope Out of Place
Chapter 4: The Sea is All the God There Is
Chapter 5: A Cemetery of Lost Ships and Wrack and Forgotten Things
Chapter 6: Familiar Land of Strangeness
Part 3: Hope Out of Time
Chapter 7: The Time That is Left Us
Chapter 8: That Song Past Human Tongue to Sing
Chapter 9: Beautiful Things Hid in the Abyss of the Years
Envoi: Hope’s Legacy
Bibliography
Index
The first academic series with an exclusive critical focus on Fantasy, Perspectives on Fantasy publishes cutting-edge research on literature and culture that brings sophisticated discussion to a broad community of debate, including scholars, students, and non-specialists.
Inspired by Fantasy's deep cultural roots, powerful aesthetic potential, and reach across a broad range of media – from literature, film and television to art, animation and gaming – Perspectives on Fantasy provides a forum for theorising and historicising Fantasy via rigorous and original critical and theoretical approaches. Works in the series will cover major creators, significant works, key modes and forms, histories and traditions, the genre’s particular affordances, and the ways in which Fantasy’s resources have been drawn on, expanded and reconfigured by authors, readers, viewers, directors, designers, players, and artists. With a deliberately broad scope, the series aims to publish dynamic studies that embrace Fantasy as a global, diverse, and inclusive phenomenon while also addressing oversights and exclusions. Along with canonical Anglophone authors and texts, the series will provide a space to address Fantasy creators and works rooted in African, Asian, South American, Middle Eastern, and indigenous cultures, as well as translations and transnational mediations.
Topics may include (but are not restricted to) examinations of world-building, the development of narrative conventions, the operation of magic systems, the construction of evil, the (re)negotiation of myths and histories, and creators’ engagements with ethical, social, and ecological issues. The series will be alive to Fantasy’s flourishing fan cultures, studying how audiences engage critically and affectively and considering the ease with which participants in Fantasy communities move from being readers and watchers to players, writers, and artists.