John Wilkinson’s Down to Earth is his darkest work to date: a disturbing road poem of the American mid-West, an epic of migration, an examination of now-ubiquitous borders, and a meteorological tour of our growing energy crises. Global and internal flows of capital, consumer products, waste, labour and body parts all shape its contorted map of the 21st century. Narrative poems echoing traditional forms, are intercut with damaged and damaging lyrics; these various styles have their analogues in the sculpture several passages praise and deprecate. In addition, Down to Earth incorporates an extended homage to Artemis of Ephasus. Wilkinson’s book forms one single thematically-interrelated poem, and although its materials are bleak, the book’s caesura-driven prosody honours the hopes and courage of the people involved in mass migration and local struggles. Like every book by John Wilkinson, Down to Earth knows no limit to poetry’s ambition, dodging every border post, down every highway, like the ocelot running through its narratives, and struggling to create a sheltering place in often pitiless landscapes.
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Down to Earth is at once a road poem of the American mid-West, an epic of migration and ubiquitous borders, and a meteorological model of energy transfer. This book knows no limit to poetry’s ambition, dodging every border post, down every highway, like the ocelot running through its narrative.
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Like SubstancesIn TempoInterventionPresent Company ExceptedStamp of OriginOversightNext to NothingNumber OneExcuse MeCollaborationCondensationThe Indiana TollBack of BeyondTravel PlazaStopoverRust BeltAll Those GatesThe ConfronterCrumple ZoneLike by David SmithHarlem Air ShaftLike FeelingRavenous At NoonHunter At DuskLying In LateDrifting OutThe Defeat of ArtemisBound SouthSouth UnboundAcknowledgements
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John Wilkinson’s Effigies Against the Light for its sheer verbal inventiveness and unheard-of melodies made much contemporary poetry seem straightforwardly pedestrian.
Bound SouthIn light, in darkness, quarried equipment makes a standetched in light, etched in darkness, cooling after manufacturethen usage. Warmth became conciliatory, not soon enough,for previously the forced air’s change of settingcracked, crazed, dragged filigree damage. In keeping, sharp curtainsridge impassive, similarly clothing holds its creases, crumples,looking for all the world like that world’s definite hatching, dry point:the under-surface heat churns behind plaster, bedpostsworm-riddled, rims of fashionable fittings bubbling rust. As alwaysthe ingenious world settles, settles for its scurriers – it’s feasible to reconstruct as if conditions stayed constant,glassy spheres like castors turned, zero loss through friction,the slick interface prevails by fits & starts. In fact the whole economyneeds sharpened senses, so I lie encased & restless,hatched in mind whose pressed demands for electricity, tax for roads,cries rising off the flat table, headers stacked funerealinto the in-box, charges, these reductions pinch & shape – janitors ofskin-held intelligence, tattoo artists, Demiurge’s sidekicksscurry home into their nooks. So sensibly the scurriers settle downto score sleep, to float their cover stories with a controlled spinspheres waltz along to, just so long as a blabber lap-top won’t be discovered in the public bar, the harmless freeway potholesbulge & pock while SatNav rides the camber, O its dream cadences – anyone drives in his sleep! but this guy jolts under his covers,this jackass driver scatters, shatters, flocks of goatstussle by stone-blockedartesian wells for the merest trickle: I might be strapped in surgeryor strut like Giacometti manikins in ranks, grim figures like my shaving selfget serviced by hotglass, chalcedony or diamond, brilliantly accentuate, pitch upin a marble fountain’s depths: excellently bright, perfectly pitched:Great Artemis, you whose improved worst skips, blots, makes errors:Great Artemis, the pre-select who ceaselessly restructuresmatter’s elements, whose nuclei, electrons compose by your fault.Great Artemis. Pressure now accrues for change of state,heat increases concrete-capped within the chain perimeter, the memoriesof bedposts, chintzy linen forcing thought back into line,that murky self-regard secures the human mask, establishes its silhouette,the animal snarls & wastes intersticially. Great is Artemis.For turning in her purlieus & thrashing on her bed, this procrusteanlogic organises, here distressed the monad stretches& shudders, basalt stacks slot beneath the flibbertigibbet sun.Falling in their pattern, waves race, the day yawns, sunny despotismstaggers in on itself.
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Produktdetaljer

ISBN
9781844715527
Publisert
2008-11-25
Utgiver
Vendor
Salt Publishing
Høyde
216 mm
Bredde
140 mm
Dybde
11 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
80

Forfatter

Biographical note

John Wilkinson is an English poet living in Chicago and teaching at the University of Chicago following a career in mental health services in the UK. He has published six collections of poetry with Salt and a collection of critical essays, mainly on recent British poetry. His most recent book of poetry is Reckitt’s Blue from Seagull Books.