Spirit of the Brush Chinese Brush Painting Techniques: Simplicity, Spirit, and Personal Journey
Product details
Biographical note
Sungsook Setton is a Korean-American artist and calligrapher. In addition to her training in brush painting and calligraphy under Chinese and Korean masters, she has also studied Western art in Germany, the United Kingdom, and the United States, obtaining her BA in studio art at Stony Brook University in New York and an MFA in interdisciplinary art at Goddard College in Vermont. Setton's work has been widely exhibited in Canada, the UK, Taiwan, Korea, and the United States. She has received two dozen awards for her work, including twice winning Best of Show at the National Juried Exhibition by the Sumi-e Society of America. In 2010, she represented the U.S. at the Third International Biennial of Modern Ink Painting in Taipei. She serves on the faculty of Westchester Community College, the China Institute, and the Art League of Long Island.
Spirit of the Brush Chinese Brush Painting Techniques: Simplicity, Spirit, and Personal Journey
Sungsook Setton learned ink painting techniques from Chinese and Korean masters in her native South Korea; now she brings them to you in The Spirit of the Brush.
Chinese ink painting is one of the oldest continually practiced art forms in the world. First appearing in China in the fifth century, it soon traveled to Korea, and then to Japan. As old and deeply rooted in East Asian aesthetics and meditation as it is, ink painting is credited with influencing the development of modern Western art. Its minimalist approach to painting continues to have enormous appeal.
Author, artist, and teacher, Sungsook Setton is now bringing her years of experience to you with The Spirit of the Brush. You will learn traditional disciplines for holding and using the brush, as well as how to turn these techniques into inner meditation which will help your own world; city views, music, and the essence of contemporary life.
Sungsook Setton learned ink painting techniques from Chinese and Korean masters in her native South Korea; now she brings them to you in The Spirit of the Brush.
Spirit : In Search of Qi
Tools and Materials
Technique
Preparing the ink
Holding the brush
Loading the brush
First Exercises: basic use of the brush
Basics
The Four Noble Plants: orchid, bamboo, plum, and chrysanthemum
Landscape Painting: trees, foliage, rocks, mountains, rivers and waterfall
Composition
Spring
Willow tree
Forsythia with bird
Pond with ducks
Summer
Avalon garden: Echinacea and dragonflies
Dunes
Palm and banana trees
Fall
West Meadow Beach
Silver birch tree
Maple tree
Winter
Snow-covered pine needles
Central Park
Misty, stormy, windy day
Painting music
Mounting and Seals
Gallery
Conclusion
Supplies
Index
Shuǐ mò huà painting is two things, a meditative spiritual practice, and an art discipline. You cannot master the art of the brushwork without practicing the meditative aspects as well. This book teaches both: it's hardworking, with step by step how-to lessons for brushwork technique. At the same time, it teaches you to see and listen to nature and the world around you and to "be there" when the brush meets the paper.
Sungsook Setton learned ink painting techniques from Chinese and Korean masters in her native South Korea; now she brings them to you in The Spirit of the Brush.
Chinese ink painting is one of the oldest continually practiced art forms in the world. First appearing in China in the fifth century, it soon traveled to Korea, and then to Japan. As old and deeply rooted in East Asian aesthetics and meditation as it is, ink painting is credited with influencing the development of modern Western art. Its minimalist approach to painting continues to have enormous appeal.
Author, artist, and teacher, Sungsook Setton is now bringing her years of experience to you with The Spirit of the Brush. You will learn traditional disciplines for holding and using the brush, as well as how to turn these techniques into inner meditation which will help your own world; city views, music, and the essence of contemporary life.
Sungsook Setton learned ink painting techniques from Chinese and Korean masters in her native South Korea; now she brings them to you in The Spirit of the Brush.
Spirit : In Search of Qi
Tools and Materials
Technique
Preparing the ink
Holding the brush
Loading the brush
First Exercises: basic use of the brush
Basics
The Four Noble Plants: orchid, bamboo, plum, and chrysanthemum
Landscape Painting: trees, foliage, rocks, mountains, rivers and waterfall
Composition
Spring
Willow tree
Forsythia with bird
Pond with ducks
Summer
Avalon garden: Echinacea and dragonflies
Dunes
Palm and banana trees
Fall
West Meadow Beach
Silver birch tree
Maple tree
Winter
Snow-covered pine needles
Central Park
Misty, stormy, windy day
Painting music
Mounting and Seals
Gallery
Conclusion
Supplies
Index
Shuǐ mò huà painting is two things, a meditative spiritual practice, and an art discipline. You cannot master the art of the brushwork without practicing the meditative aspects as well. This book teaches both: it's hardworking, with step by step how-to lessons for brushwork technique. At the same time, it teaches you to see and listen to nature and the world around you and to "be there" when the brush meets the paper.
Product details
Biographical note
Sungsook Setton is a Korean-American artist and calligrapher. In addition to her training in brush painting and calligraphy under Chinese and Korean masters, she has also studied Western art in Germany, the United Kingdom, and the United States, obtaining her BA in studio art at Stony Brook University in New York and an MFA in interdisciplinary art at Goddard College in Vermont. Setton's work has been widely exhibited in Canada, the UK, Taiwan, Korea, and the United States. She has received two dozen awards for her work, including twice winning Best of Show at the National Juried Exhibition by the Sumi-e Society of America. In 2010, she represented the U.S. at the Third International Biennial of Modern Ink Painting in Taipei. She serves on the faculty of Westchester Community College, the China Institute, and the Art League of Long Island.