For thirty years, Eugène Atget photographed the historic core of Paris, its buildings and monuments, its ancient streets and civic spaces, its public parks and gardens. With the exception of his earliest photographs, he chose not to represent a particular site by a single, definitive photograph but produced sequences of interrelated images that create a cumulative portrait.A collection of case studies of archetypal urban settings, this book examines Atget’s approach to photography. It features 240 of his photographs—nearly all of which have never been published—assembled to display the integral relationship between the photographer’s working method and his subject matter, revealing the character of Le Vieux Paris itself.A natural companion to the New Press’s Berenice Abbott: Changing New York, Eugène Atget is the product of an exhibit mounted in response to Abbott’s work and reflective of the two photographers’ shared vision.
Les mer
This volume collects more than 200 Paris photographs by Eugene Atget, the much-beloved early master of the art. Based on a landmark exhibit at Paris' Musee Carnavalet, the text features unpublished photographs, displayed in a sequential fashion that shines light on Atget's working methods.
Les mer
"An urbanist historian, a genuine romanticist, a lover of Paris, a Balzac of the camera, from whose work we can weave a large tapestry of French civilization." — Berenice Abbott"The earliest expression of true photographic art." —Ansel Adams"Without Atget, nobody could really see Paris." —Anthony Lane, The New Yorker
Les mer

Produktdetaljer

ISBN
9781565848689
Publisert
1999-01-01
Utgiver
Vendor
The New Press
Vekt
1205 gr
Høyde
285 mm
Bredde
225 mm
Aldersnivå
G, P, U, 01, 06, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
208

Forfatter

Biographical note

David Harris is an independent curator and photographic historian, specializing in nineteenth-century and contemporary architectural and landscape photography. He was associate curator of photograph at the Canadian Centre for Architecture in Montreal for ten years. He currently teaches in the School of Image Arts at Ryerson University, Toronto. In addition to numerous essays and articles, he is the author of Of Battle and Beauty:Felice Beato's Photographs of China in 1860, Gabor Szilasi: Photographs, 1954-1996, and Eadweard Muybridge and the Photographic Panorama of San Francisco, 1850-1880.