Martha Gellhorn was the doyenne of twentieth century war correspondence. Opinionated, honest and unafraid, she covered conflicts from the Spanish Civil War to Reagan’s wars in Central America in the 1980s. Martha Gellhorn: the war writer in the field and in the text is the first critical study of her Second World War fiction and journalism.Often overlooked in accounts of war literature is the writer’s precise position in relation to battle and his or her resultant standing in the text. Kate McLoughlin traces Gellhorn’s daring attempts to access the war zone and her constructions of the woman war correspondent in her despatches, novels, short stories and play. Drawing on unpublished letters, close attention is given to Gellhorn’s rivalry with Ernest Hemingway (the two were married from 1940 to 1945) over reaching the Normandy beaches on D-Day and its textual outcome in the pages of Collier’s magazine. McLoughlin goes on to examine Gellhorn’s increasingly negative portrayals of the glamorous female war reporter and to suggests why such disillusionment might have set in.
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St. Louis-born Martha Gellhorn (1908-98) was the doyenne of twentieth century war correspondence. In this first critical study of her Second World War fiction and journalism, Kate McLoughlin makes the connection between Gellhorn's intrepid progress through the war zone and her textual construction of the woman war reporter.
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Introduction1. Routes to World War II2. ‘A walking tape recorder with eyes’3. Being there: the field4. Being there: the text5. From presence to participation6. Fatal distractionConclusion
Martha Gellhorn was the doyenne of twentieth century war correspondence. Opinionated, honest and unafraid, she covered conflicts from the Spanish Civil War to Reagan’s wars in Central America in the 1980s. Martha Gellhorn: the war writer in the field and in the text is the first critical study of her Second World War fiction and journalism.Often overlooked in accounts of war literature is the writer’s precise position in relation to battle and his or her resultant standing in the text. Kate McLoughlin traces Gellhorn’s daring attempts to access the war zone and her constructions of the woman war correspondent in her despatches, novels, short stories and play. Drawing on unpublished letters, close attention is given to Gellhorn’s rivalry with Ernest Hemingway (the two were married from 1940 to 1945) over reaching the Normandy beaches on D-Day and its textual outcome in the pages of Collier’s magazine. McLoughlin goes on to examine Gellhorn’s increasingly negative portrayals of the glamorous female war reporter and to suggests why such disillusionment might have set in.
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Produktdetaljer

ISBN
9780719076367
Publisert
2007-07-01
Utgiver
Vendor
Manchester University Press
Vekt
581 gr
Høyde
234 mm
Bredde
156 mm
Dybde
17 mm
Aldersnivå
UF, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet

Forfatter

Biographical note

Kate McLoughlin is Lecturer in English Literature at the University of Glasgow