Music lies at the very heart of musical theatre yet it is also the area where productions can suffer most, owing to its challenging nature and demands on performers and creative team alike. In some shape or form, everyone involved in a production of a musical encounters the music - whether that be as an instrumentalist in the pit, a choreographer setting a dance, a director blocking a scene, or a technician operating the microphones - and many of these people will have had no formal musical training. Numeous musical challenges present themselves to a production company. How do you pare down a band, for instance, to suit your budget and venue size? How do you work with singers who cannot read music? How do you go about most effectively choregraphing a musically sensitive dance break? How do you balance a stronger voice with a lighter one on a sound system? How do you warm up a large cast with a variety of ages and voices? And how do you keep a score fresh when you may be performing it every day for six months? The Musical Director is pivotally placed at the centre of the musical, guiding the talents of performers and creative team in the rehearsal room, and musicians in the pit, to create a unified and thrilling experience for the audience. In this book, Mark Warman, one of the UK's foremost Musical Directors, imparts his immense knowledge and experience of working on highly successful productions to guide every performer through the musical aspects of a show. He will combine his own voice with others from the professional world of musical theatre to create an authoratative and entertaining account of how best to serve the music in musicals.
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Music lies at the very heart of musical theatre yet it is also the area where productions can suffer most, owing to its challenging nature and demands on performers and creators alike.
Music lies at the very heart of musical theatre yet it is also the area where productions can suffer most, owing to its challenging nature and demands on performers and creators alike.

Produktdetaljer

ISBN
9781408154212
Publisert
2016-03-10
Utgiver
Vendor
Bloomsbury Publishing Plc
Høyde
198 mm
Bredde
129 mm
Aldersnivå
03, 05, 04, Y, U, E
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
288

Forfatter

Biographical note

MARK WARMAN is a music graduate of King's College, Cambridge, where he also sang in its famed Chapel Choir. Musical Director for numerous London productions including Les Miserables (Palace), Pacific Overtures (Donmar - 2004 Olivier for Outstanding Musical Production), Sinatra (Palladium), Chess In Concert (Royal Albert Hall), Thoroughly Modern Millie (Shaftesbury), Metropolis (Piccadilly), Into the Woods (Donmar), Sweeney Todd (Holland Park Opera), King (Prince Edward), Enter the Guardsman (Donmar), Adrian Mole (Wyndhams) and conductor for Kiss Me Kate (Victoria Palace), Children of Eden (Prince Edward) and The Lion King (Lyceum). Musical Supervisor for two Sondheim world stage premieres - Saturday Night (Bridewell) and Evening Primrose (Sadler's Wells) - and for the European premiere of Adam Guettel's first musical Floyd Collins (Bridewell). Theatre arrangements include Nine (Donmar: London premiere), Hard Times (Theatre Royal, Haymarket), Nelson (Arundel Festival), Into the Woods (Donmar), Moll Flanders (Lyric, Hammersmith and original cast album) and Adrian Mole (Wyndhams). Television and film arrangements include the signature tunes to the hit sitcoms May to December and Watching, the TV drama Mr Pye, the film A Penny for your Dreams and the Omnibus documentary Mr. Abbott's Broadway. He has orchestrated many scores for Carl Davis, including A Year in Provence, The Thatcher Years, Oliver's Travels, The Queen's Nose, Anne Frank Remembered (Oscar for Best Documentary Film 1995) and the award-winning BBC adaptation of Pride and Prejudice. Mark teaches the arts of musical direction, orchestration and conducting at the Royal Academy of Music.