Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory.Having placed this phenomenon in its historical context Linda Hutcheon uses the insights of various reader-response theories to explore the ""paradox"" created by metafiction: the reader is, at the same time, co-creator of the self-reflexive text and distanced from it because of its very self-reflexiveness. She illustrates her analysis through the works of novelists such as Fowles, Barth, Nabokov, Calvino, Borges, Carpentier, and Aquin. For the paperback edition of this important book a preface has been added which examines developments since first publication. Narcissistic Narrative was selected by Choice as one of the outstanding academic books for 1981-1982.
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Examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Linda Hutcheon’s analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory.
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Narcissistic Narrative: The Metafictional Paradox, by Linda HutcheonPrefaceAcknowledgementsIntroduction1 Modes and Forms of Narrative Narcissism: Introduction of a Typology2 Process and Product: The Implications of Metafiction for the Theory of the Novel as a Mimetic Genre3 Thematizing Narrative Artifice: Parody, Allegory, and the Mise En Abyme4 Freedom Through Artifice: The French Lieutenant's Woman5 Actualizing Narrative Structures: Detective Plot, Fantasy, Games, and the Erotic6 The Language of Fiction: Creating the Heterocosm of Fictive Referents7 The Theme of Linguistic identity: La Maccina Modiale8 Generative Word Play: The Outer Limits of the Novel Genre9 Composite Identity: The Reader, the Writer, the CriticConclusion and SpeculationsIndex of Subjects and Names
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"In this volume Hutcheon accomplishes two important goals at once. She provides sensitive, insightful readings of a wide range of contemporary novels which are genuinely difficult to read, even to adepts. And at the same time she places these readings within the contexts of critical theory which seem to be required in order to do these works justice. Either of these tasks by itself would be formidable; here critical precept and textual analysis are woven together throughout the work.... There is no mistaking the high degree of critical intelligence which is evident throughout this book. Present everywhere is esthetic sensibility joined to theoretical awareness. For anyone working on this body of literature, or on other works in a similar vein, this book provides an essential point of reference." -- Irwin Gopnik, McGill University -- , Recherches sémiotiques/Semiotic Inquiry, Vol. 2 no. 4
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Produktdetaljer

ISBN
9781554585021
Publisert
2013-05-30
Utgiver
Vendor
Wilfrid Laurier University Press
Vekt
260 gr
Høyde
229 mm
Bredde
152 mm
Dybde
13 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
176

Biographical note

Linda Hutcheon is Associate Professor of English at McMaster University.