It’s everywhere, including the moon (on the commemorative plaque left by Apollo 11 astronauts), Nike sneakers, Barbara Kruger, Ed Ruscha, and Jenny Holzer artworks, 2001: A Space Odyssey credits, Domino’s Pizza boxes, Absolut Vodka bottles, and Red Bull cans. Richard Nixon used it for his presidential campaign, as did Hillary Clinton. Indeed, Futura is one of the most-used fonts in the world today—the typeface of modern design—more so even than Helvetica. This fascinating book explores the cultural history and uses of a face that’s so common you might not notice, until you start looking, then can’t escape it. Douglas Thomas traces Futura from its Bauhaus-inspired origin in Paul Renner’s 1924 design, to its current role as the go-to choice for corporate work, logos, motion pictures, and advertisements. Never Use Futura is illuminating, sometimes playful, reading, not just for type nerds, but for anyone interested in how typefaces are used, take on meaning, and become a language of their own.
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Conceived around the directive commonly given to students, this is the first major English-language book to concentrate on Futura, using the foundational typeface to open up an alternate history of modern graphic design.
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Produktdetaljer

ISBN
9781616895723
Publisert
2017-10-17
Utgiver
Vendor
Princeton Architectural Press
Vekt
380 gr
Høyde
202 mm
Bredde
140 mm
Dybde
20 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
208

Forfatter

Biographical note

Douglas Thomas is a graphic designer and type historian. He holds a Masters of Art in History from the University of Chicago. He has taught graphic design at Brigham Young University and the Maryland Institute College of Art. He is the author of “Recasting Franklin as Printer” in Benjamin Franklin’s Intellectual World, published by Fairleigh Dickinson University Press (2012). His design work has been featured in Communication Arts, Print, and Graphis. He lives in Baltimore, Maryland.

Ellen Lupton is a writer, graphic designer, and director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) and of the Center for Design Thinking. As curator of contemporary design at Cooper-Hewitt, National Design Museum since 1992, she has produced numerous exhibitions and books, and she has published several books with PAPress, including Design Culture Now; Inside Design Now; Graphic Design: The New Basics; Thinking with Type; Type on Screen; D.I.Y.: Design It Yourself; and D.I.Y. Kids.