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Oxford Handbook of Popular Music in the Nordic Countries

Holt, Fabian Karja, Antti-Ville
Innbundet / 2017 / Engelsk

Produktdetaljer

ISBN
9780190603908
Publisert
2017
Utgiver
Vendor
Oxford University Press Inc
Vekt
824 gr
Høyde
255 mm
Bredde
181 mm
Dybde
35 mm
Aldersnivå
05, 06, U, P
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
432

Redaktør
Holt, Fabian
Karja, Antti-Ville

Biographical note

Fabian Holt is Associate Professor at the University of Roskilde, where he teaches in the Department of Communication and Arts, and Visiting Professor at Humboldt University of Berlin. His publications include Genre in Popular Music (Chicago 2007) and Musical Performance and the Changing City (Routledge 2013, co-edited with Carsten Wergin). Holt was a post-doctoral fellow at the University of Chicago 2003-2004 and visiting scholar at Columbia University 2010-2011. Antti-Ville Karja works as Academy Research Fellow at Music Archive JAPA, Helsinki, Finland, with a research project "Music, Multiculturality and Finland" (2014-2018). He is Adjunct Professor of popular music studies at the University of Helsinki and his fields of expertise include music and multiculturalism, historiography of popular music, and music in audiovisual media. He is currently Chair of the Finnish Society for Ethnomusicology. He is also a member of the editorial boards of the journals Perfect Beat and IASPM@journal.

Oxford Handbook of Popular Music in the Nordic Countries

Holt, Fabian Karja, Antti-Ville
Innbundet / 2017 / Engelsk
Holt, Fabian Karja, Antti-Ville
Innbundet / 2017 / Engelsk
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Popular music has come to play a significant role in the political and cultural history of the Nordic countries. Research on the region's culture has largely followed national narratives created by political and economic institutions, even as cultural life in the region-which spans a large area of northern Europe and the North Atlantic-displays more complex geographies and evolving global dynamics. As the first of its kind, The Oxford Handbook of Popular Music in the Nordic Countries offers a series of exemplary studies of music in these transnational dynamics in the specific context of the region's cultures and natural environments, written by the foremost experts in the field. Chapters highlight and challenge music's place in exotic images of the North and in transnational environmentalism, tourism, racism, and media industries. The Handbook illustrates how transnational dynamics evolve and shape musical life and the institutional spheres of policy, education, and research.
Les mer
Popular music plays a significant role in the evolving global dynamics of the Nordic countries and the fascination with the region's natural environments. As the first of its kind, The Oxford Handbook of Popular Music in the Nordic Countries offers a series of exemplary studies of music in these transnational dynamics by the world's foremost experts in the field.
Les mer
Contents Figures Tables Acknowledgements Introduction: Music in a Globalizing Region Fabian Holt PART ONE Geography 1 Musical Borealism: Nordic Music and European History Philip V. Bohlman 2 Nordic Modernity and the Structure of the Musical Landscape Fabian Holt 3 Inclusive Popular Music Education? Alexis A. Kallio and Lauri Vakeva 4 Roots, Routes, and Cosmopolitanism: David Lindley Meets Harding Hank Hans Weisethaunet 5 From the Faroes to the World Stage Joshua Green 6 Christian Metal and the Translocal North Henna Jousmaki 7 Music and Landscape in Iceland Tony Mitchell 8 Music and Environmentalism in Iceland Nicola Dibben PART TWO History 9 A Metahistorical Enquiry into Nordic Popular Music Historiography Antti-Ville Karja 10 Echoes of the Colonial Past in Discourse on North Atlantic Popular Music Kimberly Cannady 11 Swedish Prog Rock and the Search for a Timeless Utopia Sverker Hylten-Cavallius and Lars Kaijser 12 Trajectories of Karelian Music After the Cold War Pekka Suutari 13 The Memorial Ceremony after the 2011 Utoya Massacre Jan Sverre Knudsen 14 Aspirations and Global Futures: Lessons from Sami Popular Music for the 21st Century Tina K. Ramnarine PART THREE Identity 15 Masculinity, Race and Transculturalism in a Norwegian Context Stan Hawkins 16 Hip Hop as Public Pedagogy Alexandra D'Urso 17 Urban Music and the Complex Identities of "New Nationals" in Scandinavia Henrik Marstal 18 Rap, Reggae, and White Minoritization Benjamin R. Teitelbaum 19 Sami Festivals and Indigeneity Thomas R. Hilder 20 Digitally Mediated Identity in the Cases of Two Sami Artists Ann Werner Contributors Index
Les mer

Relaterte produkter

Popular music has come to play a significant role in the political and cultural history of the Nordic countries. Research on the region's culture has largely followed national narratives created by political and economic institutions, even as cultural life in the region-which spans a large area of northern Europe and the North Atlantic-displays more complex geographies and evolving global dynamics. As the first of its kind, The Oxford Handbook of Popular Music in the Nordic Countries offers a series of exemplary studies of music in these transnational dynamics in the specific context of the region's cultures and natural environments, written by the foremost experts in the field. Chapters highlight and challenge music's place in exotic images of the North and in transnational environmentalism, tourism, racism, and media industries. The Handbook illustrates how transnational dynamics evolve and shape musical life and the institutional spheres of policy, education, and research.
Les mer
Popular music plays a significant role in the evolving global dynamics of the Nordic countries and the fascination with the region's natural environments. As the first of its kind, The Oxford Handbook of Popular Music in the Nordic Countries offers a series of exemplary studies of music in these transnational dynamics by the world's foremost experts in the field.
Les mer
Contents Figures Tables Acknowledgements Introduction: Music in a Globalizing Region Fabian Holt PART ONE Geography 1 Musical Borealism: Nordic Music and European History Philip V. Bohlman 2 Nordic Modernity and the Structure of the Musical Landscape Fabian Holt 3 Inclusive Popular Music Education? Alexis A. Kallio and Lauri Vakeva 4 Roots, Routes, and Cosmopolitanism: David Lindley Meets Harding Hank Hans Weisethaunet 5 From the Faroes to the World Stage Joshua Green 6 Christian Metal and the Translocal North Henna Jousmaki 7 Music and Landscape in Iceland Tony Mitchell 8 Music and Environmentalism in Iceland Nicola Dibben PART TWO History 9 A Metahistorical Enquiry into Nordic Popular Music Historiography Antti-Ville Karja 10 Echoes of the Colonial Past in Discourse on North Atlantic Popular Music Kimberly Cannady 11 Swedish Prog Rock and the Search for a Timeless Utopia Sverker Hylten-Cavallius and Lars Kaijser 12 Trajectories of Karelian Music After the Cold War Pekka Suutari 13 The Memorial Ceremony after the 2011 Utoya Massacre Jan Sverre Knudsen 14 Aspirations and Global Futures: Lessons from Sami Popular Music for the 21st Century Tina K. Ramnarine PART THREE Identity 15 Masculinity, Race and Transculturalism in a Norwegian Context Stan Hawkins 16 Hip Hop as Public Pedagogy Alexandra D'Urso 17 Urban Music and the Complex Identities of "New Nationals" in Scandinavia Henrik Marstal 18 Rap, Reggae, and White Minoritization Benjamin R. Teitelbaum 19 Sami Festivals and Indigeneity Thomas R. Hilder 20 Digitally Mediated Identity in the Cases of Two Sami Artists Ann Werner Contributors Index
Les mer

Produktdetaljer

ISBN
9780190603908
Publisert
2017
Utgiver
Vendor
Oxford University Press Inc
Vekt
824 gr
Høyde
255 mm
Bredde
181 mm
Dybde
35 mm
Aldersnivå
05, 06, U, P
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
432

Redaktør
Holt, Fabian
Karja, Antti-Ville

Biographical note

Fabian Holt is Associate Professor at the University of Roskilde, where he teaches in the Department of Communication and Arts, and Visiting Professor at Humboldt University of Berlin. His publications include Genre in Popular Music (Chicago 2007) and Musical Performance and the Changing City (Routledge 2013, co-edited with Carsten Wergin). Holt was a post-doctoral fellow at the University of Chicago 2003-2004 and visiting scholar at Columbia University 2010-2011. Antti-Ville Karja works as Academy Research Fellow at Music Archive JAPA, Helsinki, Finland, with a research project "Music, Multiculturality and Finland" (2014-2018). He is Adjunct Professor of popular music studies at the University of Helsinki and his fields of expertise include music and multiculturalism, historiography of popular music, and music in audiovisual media. He is currently Chair of the Finnish Society for Ethnomusicology. He is also a member of the editorial boards of the journals Perfect Beat and IASPM@journal.

Relaterte produkter