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Adrian Stokes (1902 - 1972). British art critic, painter and poet. Significantly influenced by the psychoanalyst Melanie Klein.<p><strong>'The importance of Stokes is he asserted that art is extremely important for our sanity.'</strong> - <em>Eric Rhode on BBC 'Kaleidoscope'</em><br /><br /><strong>'This is a book I hope to read at least once, if not twice, more. I think Adrian Stokes has made a new, deep and penetrating contribution to present-day art criticism.'</strong> - <em>Henry Moore</em><br /><br /><strong>'Michelangelo's artistic personality has been profoundly read. It will be difficult to be content again with any view that does not look into its depth, or with one which does not see the man's life, his visual works and his poetry together.'</strong> - <em>Lawrence Gowing</em><br /><br /><strong>'So tightly packed with meaning that it must be read more than once - I myself have read it three times, and with each reading have found increased understanding and pleasure'</strong> - <em>Herbert Read</em></p>
<p><strong>'This is a book I hope to read at least once, if not twice, more. I think Adrian Stokes has made a new, deep and penetrating contribution to present-day art criticism.'</strong> - <em>Henry Moore</em><br /><br /><strong>'Michelangelo's artistic personality has been profoundly read. It will be difficult to be content again with any view that does not look into its depth, or with one which does not see the man's life, his visual works and his poetry together.'</strong> - <em>Lawrence Gowing</em></p>
Adrian Stokes was one of the twentieth century's finest and most discriminating writers on art. Of over twenty works of art criticism, Michelangelo was considered by Lawrence Gowing to be the most complete he ever wrote, presenting an understanding of the great artist that no one subsequently could afford to ignore. Stokes brings to bear in this work not only twenty-five years' study and appreciation of Italian Renaissance art and of aesthetics, but also a unique psychological perspective, as he explains in his introduction, which enables him to uncover the depths of the artist's personality. The subtlety of feeling and profound knowledge of sculpture which Sir Herbert Read admired in Stokes's work is also combined with a literary style perfected through his own poetry and criticism. Presenting a unique survey of his subject's literary as well as his artistic legacy, Stokes succeeds, as no other has before or since, in his aim of bringing Michelangelo's greatness into nearer view.
Stokes gave us art criticism as poetry, and in Michelangelo he produced a highly personal and sensitive portrait of a man and his work.