Grzegorz Niziolek’s The Polish Theatre of the Holocaust is a pioneering analysis of the impact and legacy of the Holocaust on Polish theatre and society from 1945 to the present. It reveals the role of theatre as a crucial medium of collective memory – and collective forgetting – of the trauma of the Holocaust carried out by the Nazis on Polish soil. The period gave rise to two of the most radical and influential theatrical ideas during work on productions that addressed the subject of the Holocaust – Grotowski’s Poor Theatre and Kantor’s Theatre of Death - but the author examines a deeper impact in the role that theatre played in the processes of collective disavowal to being a witness to others’ suffering.
In the first part, the author examines six decades of Polish theatre shaped by the perspective of the Holocaust in which its presence is variously visible or displaced. Particular attention is paid to the various types of distortion and the effect of ‘wrong seeing’ enacted in the theatre, as well as the traces of affective reception: shock, heightened empathy, indifference. In part two, Niziolek examines a range of theatrical events, including productions by Leon Schiller, Jerzy Grotowski, Tadeusz Kantor, Andrzej Wajda, Krzysztof Warlikowski and Ondrej Spišák. He considers how these productions confronted the experience of bearing witness and were profoundly shaped by the legacy of the Holocaust.
The Polish Theatre of the Holocaust reveals how -- by testifying about society’s experience of the Holocaust -- theatre has been the setting for fundamental processes taking place within Polish culture as it confronts suppressed traumatic wartime experiences and a collective identity shaped by the past.
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List of figures
Acknowledgments
Introduction
PART 1: The Holocaust and the Theatre
Chapter 1: Theatre of Gapers
Chapter 2: Who Was Not in Auschwitz?
Chapter 3: Playing the Jew
Chapter 4: Wrongly Seen
Chapter 5: Without Mourning
PART TWO: The Theatre and the Holocaust
Chapter 6: This Shameful Jewish War
Chapter 7: What is Unthinkable in Poland
Chapter 8: A Crushed Audience
Chapter 9: Archive of the Missing Image
Chapter 10: Duplicitous Spectator, Helpless Spectator
Notes
Bibliography
Index of names
General index
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Niziolek’s book prompts its readers to profoundly question and engage with the issue of agency, from an ethical as well as a theatrical standpoint ... This book provides a rich and highly thought-provoking reading experience.
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This book examines the impact of the Holocaust on Polish theatre from 1945 to the present. It reveals how for a society of 'witnesses', theatre in Poland facilitates both collective remembrance and forgetting of the Holocaust.
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Offers a radically new interpretation of the most important phenomena in Polish post-WWII theatre, especially the work of Jerzy Grotowski and Tadeusz Kantor
The Bloomsbury series of Cultural Histories of Theatre and Performance recognizes that historical knowledge has always been contested and revised. Since the turn of the twenty first century, the transformation of conventional understandings of culture created through new political realities and communication technologies together with paradigm shifts in anthropology, psychology and other cognate fields have challenged established methodologies and ways of thinking about how we do history. The series embraces volumes that take on those challenges while enlarging notions of theatre and performance through the representation of the lived experience of past performance makers and spectators. The series aim is to be both inclusive and expansive, including studies on topics that range temporally and spatially, from the locally-specific to the intercultural and transnational.
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Produktdetaljer
ISBN
9781350039667
Publisert
2019-05-30
Utgiver
Vendor
Methuen Drama
Vekt
598 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
320
Forfatter
Oversetter