Offering a refreshing combination of accessibility and intellectual rigor, How to Interpret Literature: Critical Theory for Literary and Cultural Studies, Third Edition, presents an up-to-date, concise, and wide-ranging historicist survey of contemporary thinking in critical theory. The only book of its kind that thoroughly merges literary studies with cultural studies, this text provides a critical look at the major movements in literary studies since the 1930s, including those often omitted from other texts. It is also the only up-to-date survey of literary theory that devotes extensive treatment to Queer Theory and Postcolonial and Race Studies. How to Interpret Literature is ideal as a stand-alone text or in conjunction with an anthology of primary readings such as Robert Dale Parker's Critical Theory: A Reader for Literary and Cultural Studies. Distinctive Features * A conversational and engaging tone that speaks directly to today's students * Wider coverage than any book of its kind * A rich assortment of pedagogical features (charts, text boxes, photos, and suggestions for further reading)
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Preface ; Acknowledgments ; 1. Introduction ; 2. New Criticism ; Before New Criticism ; How to Interpret: Key Concepts for New Critical Interpretation ; Historicizing the New Criticism: Rethinking Literary Unity ; The Intentional Fallacy and the Affective Fallacy ; How to Interpret: A New Critical Example ; The Influence of New Criticism ; Further Reading ; 3. Structuralism ; Key Concepts in Structuralism ; How to Interpret: Structuralism in Cultural and Literary Studies ; The Death of the Author ; How to Interpret: The Detective Novel ; Structuralism, Formalism, and Literary History ; The Structuralist Study of Narrative: Narratology ; How to Interpret: Focalization and Free Indirect Discourse ; Narrative Syntax, and Metaphor and Metonymy ; Further Reading ; 4. Deconstruction ; Key Concepts in Deconstruction ; How to Interpret: A Deconstructionist Example ; Writing, Speech, and Differance ; Deconstruction beyond Derrida ; Deconstruction, Essentialism, and Identity ; How to Interpret: Further Deconstructionist Examples ; Further Reading ; 5. Psychoanalysis ; Clinical Psychoanalysis ; Key Concepts in Psychoanalysis: The Psychoanalytic Understanding of the Mind ; Sigmund Freud ; How to Interpret: Models of Psychoanalytic Interpretation ; From the Interpretation of Dreams to the Interpretation of Literature ; How to Interpret: Further Psychoanalytic Examples ; Jacques Lacan ; How to Interpret: A Lacanian Example ; Further Reading ; 6. Feminism ; What Is Feminism? ; Early Feminist Criticism ; Sex and Gender ; Feminisms? ; How to Interpret: Feminist Examples ; Feminism and Visual Pleasure ; Intersectionality and the Interdisciplinary Ethos of Contemporary Feminism ; Further Reading ; 7. Queer Studies ; Key Concepts in Queer Studies ; How to Interpret: A Queer Studies Example ; Queer Studies and History ; Outing: Writers, Characters, and the Literary Closet ; Homosociality and Homosexual Panic ; Queer of Color Critique ; How to Interpret: Another Queer Studies Example ; Questions that Queer Studies Critics Ask ; Further Reading ; 8. Marxism ; Key Concepts in Marxism ; Lukacs, Gramsci, and Marxist Interpretations of Culture ; Contemporary Marxism, Ideology, and Agenc ; How to Interpret: An Example from Popular Culture ; How to Interpret: Further Marxist Examples ; Further Reading ; 9. Historicism and Cultural Studies ; New Historicism ; How to Interpret: Historicist Examples ; Michel Foucault ; Cultural Studies ; How to Interpret: A Cultural Studies Example ; Cultural Studies, Historicism, and Literature ; Further Reading ; 10. Postcolonial and Race Studies ; Postcolonialism ; From Orientalism to Deconstruction: Edward Said, Homi Bhabha, and Gayatri Chakravorty Spivak ; How to Interpret: A Postcolonial Studies Example ; Race Studies ; How to Interpret: Postcolonial and Race Studies Examples ; Further Reading ; 11. Reader Response ; Ideal, Implied, and Actual Readers ; Structuralist Models of Reading and Communication ; Aesthetic Judgment, Interpretive Communities, and Resisting Readers ; Reception Theory and Reception History ; Readers and the New Technologies ; Further Reading ; 12. Recent and Emerging Developments: Ecocriticism and Disability Studies ; Works Cited ; Photographic Credits ; Index
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How to Interpret Literature takes on an immense and formidable task- presenting to students the corpus of twentieth-century literary theory and its differing schools, conflicts, and developments-and it succeeds with a minimum of fuss, grandstanding, ponderousness at synthesizing all of this in one handy volume. Parker's sensitive, responsive, measured, ethically minded, and dazzlingly well-informed approach makes theory lucid, accessible, and inviting while also acknowledging that it is an irreducibly complex, simultaneously graspable intellectual project that demands a lifetime's worth of repeated inquiry. * David Greven, University of South Carolina *A clear, highly readable introduction to critical theory with plenty of fine explanations and illuminating examples drawn from literature, film, and music. * Paul Klemp, University of Wisconsin, Oshkosh *How to Interpret Literature is a clearly written and accessible guide to critical theory for students of English Studies. In this book students will find a friendly and readable guide to complex and often intimidating theoretical concepts. * Richard Zumkhawala-Cook, Shippensburg University *
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Produktdetaljer

ISBN
9780199331161
Publisert
2014
Utgave
3. utgave
Utgiver
Vendor
Oxford University Press Inc
Vekt
475 gr
Høyde
211 mm
Bredde
141 mm
Dybde
22 mm
Aldersnivå
05, UU, UP
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
416

Biographical note

Robert Dale Parker is James M. Benson Professor of English at the University of Illinois at Urbana-Champaign.