`"Incorruptible crystal" is an apt description of Jaeggy's style. Her sentences are hard and compact, more gem than flesh. Images appear as flashes, discontinuous, arresting, then gone . . . this feels appropriate for a writer who is a "stranger" and an "enemy" to the familial.' Sheila Heti, The New Yorker ---- `Jaeggy's works are a translator's dream: short, lucid and complex. Her distinctive vocabulary and syntax move elegantly and it would seem effortlessly into the English language.' Margaret Drabble, The New Statesman ---- `. . . an elegantly structured and stubbornly moving study of innocence destroyed and love denied. Very accomplished indeed.' Kirkus Reviews ---- `. . . an elegantly structured and stubbornly moving study of innocence destroyed and love denied. Very accomplished indeed.' Kirkus Reviews ---- `[Jaeggy] has a startling ability to go beyond: beyond the sentimental heart, the writerly niceties, the conventions that bind us, and the messy effusions of contemporary life.' The New Yorker ---- `[Jaeggy] has a startling ability to go beyond: beyond the sentimental heart, the writerly niceties, the conventions that bind us, and the messy effusions of contemporary life.' The New Yorker --- Praise for Fleur Jaeggy --- `Fleur Jaeggy's pen is an engraver's needle depicting roots, twigs, and branches of the tree of madness-extraordinary.' Joseph Brodsky ---- 'The fierceness of her words erupts from the seams of her tiny sentences ... Jaeggy's highly unusual work is finally gaining recognition in the English-speaking world.' Emily Rhodes, The Spectator---`Proleterka is a ferocious study - a masterclass in distance , diffidence, death, and `insomniac resentment.’ Barbara Epler