This collection covers a wide range of topics, from a moving study of Bizet's Carmen to an entertainingly caustic exploration of the hierarchies of the auditorium. Especially significant is Adorno's "dialectical portrait" of Stravinsky, in which Adorno both reconsiders and refines his damning indictment of the composer in Philosophy on Modern Music. Throughout, Adorno is sustained by the conviction that music is supremely human because it is capable of communicating inhumanity while resisting it. His belief in the benevolent and transformative power of music reverberates throughout these writings.
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Leader of the Frankfurt School on the music of modernism.
This is an extraordinary book ... one of Adorno's most impressive, fecund and elegant works ... It will appeal to anyone who wishes to encounter one of the century's most challenging and provocative social theorists at his most openly enthusiastic.
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Adorno's own selection of his essays and journalism from more than three decades of music writing

Produktdetaljer

ISBN
9781844677924
Publisert
2012-01-16
Utgiver
Vendor
Verso Books
Vekt
384 gr
Høyde
198 mm
Bredde
132 mm
Dybde
28 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
346

Forfatter

Biographical note

Theodor Adorno was Director of the Institute for Social Research at the University of Frankfurt from 1959 until his death in 1969.