Great music has the power to transform. Understanding and appreciating classical music can enlighten, uplift, and educate not only the intellect but the soul. In The Secret Magic of Music, classical music devotee and psychiatrist Ida Lichter uncovers a more accessible side of music. By providing the performers’ insights, Lichter provides a special look into how great music can bring happiness and spiritual meaning to its listeners.The Secret Magic of Music is a collection of thought pieces based on interviews with the foremost conductors and performers of chamber music. It is organized by performing artist and is intended to provide each musician’s perception of classical music’s value and social function. As the journey from the score to the listener takes place, Lichter reveals how each performer’s passion, dedication, and outstanding talent affects their lives, their performances, and their listeners. Lichter explores why classical music is often considered unpalatable to the casual listener, how it can have the power to heal, its function in therapy, among other loaded questions. Not only does The Secret Magic of Music enrich the experience of music lovers, it introduces new listeners to classical music’s pleasures, mysteries, and transformational potential. Music has the ability to cross cultural borders and span personal difference, to unite people on common ground they might otherwise never find. The importance of passing on the appreciation of our musical heritage to the next generation is real. To lose it would be inexcusable.
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"Where would Western civilization be without music? A response to this question is presented in this title by psychiatrist Lichter ( Muslim Women Reformers: Inspiring Voices Against Oppression ). Focusing on classical musicians, Lichter interviewed 35 professionalsconductors, instrumentalists, vocalists, collaborative artists, and administratorsmany Australian, starting in 2009, and presents these interviews in her own words... Verdict: This book is for the music lover who is interested in Lichter's interpretation of these musicians' thoughts on classical music's emotional and humanistic qualities." Elizabeth Berndt-Morris , Boston P.L. - Library Journal
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Produktdetaljer

ISBN
9781590793053
Publisert
2016-04-19
Utgiver
Vendor
Select Books Inc
Vekt
522 gr
Høyde
230 mm
Bredde
152 mm
Dybde
25 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
368

Biographical note

Ida Lichter is a psychiatrist based in Sydney, Australia. She has been involved with music for most of her life and studied piano performance and theory before taking up a career in medicine, specializing in psychiatry. An interest in performance anxiety led her to work in the field of therapy for musicians who were trying to master symptoms inhibiting their ability to play in public. For many years she lived in London, and together with her family, was intimately involved with Wigmore Hall, one of the world’s leading venues for the performance of chamber music. She is a founder and director of Music In The Hunter chamber music festival, inaugurated in 1991 to commemorate the bicentenary of Mozart’s death. It takes place in the Hunter Valley wine-growing district of New South Wales, Australia, and celebrated its twentyfourth successful year in 2014. Members of the Goldner String Quartet, who are the core performers, have played at every festival, togethe Evgeny Kissin was born in Moscow in October 1971 and began to play by ear and improvise on the piano at the age of two. At six years old, he entered a special school for gifted children, the Moscow Gnessin School of Music, where he was a student of Anna Pavlovna Kantor, who has remained his only teacher. At the age of ten, he made his concerto debut playing Mozart’s Piano Concerto K. 466 and gave his first solo recital in Moscow one year later. He came to international attention in March 1984 when, at the age of twelve, he performed Chopin’s Piano Concertos 1 and 2 in the Great Hall of the Moscow Conservatory with the Moscow State Philharmonic under Dmitri Kitaenko. This concert was recorded live by Melodia, and a two-LP album was released the following year. During the next two years, several Kissin performances in Moscow were recorded live and five more LPs were released by Melodia. Kissin’s first appearances outside Russia were in 1985 in Eastern Europe,