No issue in Shakespeare studies is more important than determining what he wrote. For over two centuries scholars have discussed the evidence that Shakespeare worked with co-authors on several plays, and have used a variety of methods to differentiate their contributions from his. In this wide-ranging study, Brian Vickers takes up and extends these discussions, presenting compelling evidence that Shakespeare wrote Titus Andronicus together with George Peele, Timon of Athens with Thomas Middleton, Pericles with George Wilkins, and Henry VIII and The Two Noble Kinsmen with John Fletcher. In Part One Vickers reviews the standard processes of co-authorship as they can be reconstructed from documents connected with the Elizabethan stage, and shows that every major, and most minor dramatists in the Elizabethan, Jacobean, and Caroline theatres collaborated in getting plays written and staged. This is combined with a survey of the types of methodology used since the early nineteenth century to identify co-authorship, and a critical evaluation of some 'stylometric' techniques. Part Two is devoted to detailed analyses of the five collaborative plays, discussing every significant case made for and against Shakespeare's co-authorship. Synthesizing two centuries of discussion, Vickers reveals a solidly based scholarly tradition, building on and extending previous work, identifying the co-authors' contributions in increasing detail. The range and quantity of close verbal analysis brought together in Shakespeare, Co-Author present a compelling case to counter those 'conservators' of Shakespeare who maintain that he is the sole author of his plays.
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For over two centuries scholars have discussed the evidence that Shakespeare worked with co-authors on several plays. This study takes up and extends these discussions, presenting evidence that Shakespeare wrote "Titus Andronicus" together with George Peele, "Timon of Athens" with Thomas Middleton, and "Pericles" with George Wilkins.
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I. ELIZABETHAN DRAMA AND THE METHODOLOGY OF AUTHORSHIP STUDIES ; II. SHAKESPEARE AS CO-AUTHOR
Those who enjoy reading literary mysteries, should purchase this book to explore its insightful explanations.
`This rich monograph is a pleasure to read and ponder, from beginning to end.' The Virginia Quarterly Review `It is potentially the most influential and certainly the most scholarly book on the constitution of Shakespeare's canon since Sir E.K.Chamber's The Disintegration of Shakespeare (1924).' Papers of the Bibliographic Society of America `Review from previous edition magisterial survey of (almost) everything written on the subject of Shakespearean collaboration in the past 150 years.' Jonathan Bate, Times Literary Supplement `Rewarding . . . sharp glimpses of what it was like to write for the stage in Elizabethan and Jacobean London. Vickers gives an indelible impression of the sheer hunger for plays of London's theatre companies from the 1590s.' John Mullan, Guardian
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Provides a detailed evaluation of the claims made for Shakespeare's co-authorship of Titus Andronicus, Timon of Athens, Pericles, Henry VIII, and The Two Noble Kinsmen. Examines the processes of collaboration and the methods used in authorship studies since the early nineteenth century. Identifies and summarizes a coherent tradition in attribution work on Shakespeare.
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Provides a detailed evaluation of the claims made for Shakespeare's co-authorship of Titus Andronicus, Timon of Athens, Pericles, Henry VIII, and The Two Noble Kinsmen. Examines the processes of collaboration and the methods used in authorship studies since the early nineteenth century. Identifies and summarizes a coherent tradition in attribution work on Shakespeare.
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Produktdetaljer

ISBN
9780199269167
Publisert
2004
Utgiver
Vendor
Oxford University Press
Vekt
865 gr
Høyde
234 mm
Bredde
156 mm
Dybde
29 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
580

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