This much needed and very welcome work does two important things: It gives us all of Mansfield’s fiction, with useful notes; and it removes many of John Middleton Murry’s intrusions into the stories he edited after Mansfield’s death. We all owe the editors, Gerri Kimber and Vincent O’Sullivan, a debt of gratitude for this excellent edition of the work of a major modernist writer.

- Professor Robert Scholes, Brown University,

We owe to her the prosperity of the 'free' story,' Elizabeth Bowen said of Katherine Mansfield: 'she untrammelled it from conventions.' Here, at last, is the evidence in full: the edition Mansfield deserves.

- Professor David Trotter, University of Cambridge,

‘The editors of the collected fiction are unstinting in their attention to detail, dating and biography. Their efforts give us a picture of an artist discovering what it is she wants to do to be different from the rest, to find a story and a way of telling it that will be hers and hers alone.’

- Kirsty Gunn, London Review of Books

Se alle

Kimber and O’Sullivan have produced a work of superb scholarship that is clearly also a labour of love. Their Edinburgh Edition of the Collected Works of Katherine Mansfield, containing every fragment as well as all the finished stories (some rescued from the meddlesome editorial hands of her second husband, John Middleton Murry, and restored to their original state), undeniably establishes her as a great modernist writer.

- Elizabeth Wassell, The Irish Times

The Edinburgh University Press volumes will finally make available, almost a century after her death, a complete, scholarly edition of the collected works of Katherine Mansfield. This, in other words, is an important publishing moment not only for New Zealand literature but for early twentieth-century literary scholarship more generally. And central to this venture are the two volumes of fiction, which themselves constitute a significant step towards the complete and definitive publication of the work of the period’s most original, prolific, and indeed influential short story writer.

- Andrew Bennett, The Journal of New Zealand Literature

These two volumes collect together 215 of Mansfield’s stories and expand considerably upon the largest previous single collected edition of 85 stories. They include Mansfield’s best-loved stories, stories uncollected, unpublished or left incomplete during her lifetime, the full text of The Aloe, from which Mansfield shaped her ground-breaking work Prelude, and her own manuscript versions of several stories later ‘edited’ by her husband, John Middleton Murry. The volumes are arranged in chronological order, so that readers can trace Mansfield’s progress as a creative writer, month-by-month, from her first schoolgirl story in 1898 to her last completed story in July 1922. Mansfield will be read differently, and more accurately, as a result of this edition. The annotations and their cross-referencing to her letters and notebooks deepen what we know of the context and genesis of her fiction. This edition is testament to Mansfield’s importance among twentieth century English-language writers and to her rare and original handling of the short story form. Key Features: Brings together for the first time all of Mansfield's extant fictionRefocuses critical attention on one of the most influential exponents of modernist fictionThe essential Mansfield text for individual scholars working on Mansfield studies, as well as those with a more general interest in Mansfield the writerRedefines Mansfield as a writer for the next generationThe Edinburgh Edition of the Collected Works of Katherine Mansfield, Volumes 1-4
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This two-volume edition is a truly complete collection of the Katherine Mansfield's fiction writing, including hitherto uncollected or rarely seen stories and prose fragments as well as the instantly recognisable stories.
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Abbreviations and Textual Note; Fiction 1916–1922; 1916; That Woman; Last Words to Youth; The Laurels; 1917; The Lost Battle; Toots; Two Tuppenny Ones Please; Late at Night; The Black Cap; In Confidence; The Common Round; A Pic-Nic; Mr Reginald Peacock’s Day; Prelude; Feuille d’Album; A Dill Pickle; Love-Lies-Bleeding; 1918; Je ne parle pas français; Sun and Moon; Bliss; The Boy with the Jackdaw; To the Last Moment; Carnation; Love in Autumn; ‘Did M. wear a grey dressing gown’; ‘A stupid, silly poem’; Keeping Up; ‘Don’t you think it would be marvellous’; 1919; A Suburban Fairy Tale; ‘It was neither dark nor light in the cabin’; See Saw; Pictures; ‘R’s first husband was a pawnbroker’; 1920; Late Spring; This Flower; Psychology; The Man Without a Temperament; The Wrong House; Revelations; The Escape; A Dance At The – – – ; Bank Holiday; The Wind Blows; The Young Girl; The Singing Lesson; The Stranger; Miss Brill; Poison; The Lady’s Maid; The Daughters of the Late Colonel; There is no Answer; You love me – still?; Tea on the Train; 1921; Life of Ma Parker; ‘After a succession of idle, careless, or clumsy, or unwilling little boys’; Mr and Mrs Dove; Susannah; Such a Sweet Old Lady; Sixpence; An Ideal Family; Hat with a Feather; Her First Ball; Marriage à la Mode; Widowed; At the Bay; The Voyage; A Married Man’s Story; Second Violin; All Serene!; By Moonlight; The Garden Party; The Doll’s House; Six Years After; Weak Heart; Daphne; ‘I suppose, doctor’; ‘Carriages are not allowed’; ‘It fell so softly, so gently’; ‘On her way back to the garden’; ‘What was there about the little house’; The Pessimist; The Sisters; ‘Lucien’s mother was a dressmaker’; Honesty; 1922; The Doves’ Nest; A Cup of Tea; Taking the Veil; Mr and Mrs Williams; The Fly; Confidences; The New Baby; ‘Have you seen my cosmias dear?’; A Man and His Dog; Honeymoon; It was the late afternoon; A Family Dance; ‘Behind the hotel – à deux pas de l’hotel’; Father and the Girls; My Darling; The Lily; Our Hilda; ‘One great advantage’; ‘There are certain human beings’; A Bad Idea; The Canary; Appendix B: Attributed Stories; Bibliography; Index of first lines; Index of stories.
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Brings together all of Mansfield's extant fiction

Produktdetaljer

ISBN
9780748642755
Publisert
2012-10-01
Utgiver
Edinburgh University Press
Vekt
962 gr
Høyde
234 mm
Bredde
156 mm
Aldersnivå
G, UU, UP, 01, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet

Biografisk notat

Gerri Kimber is a Visiting Professor in the Department of English at the University of Northampton, and a professional writer and book reviewer. Vincent O’Sullivan, Professor Emeritus, Victoria University of Wellington, is the world’s foremost Mansfield scholar and is President of the Katherine Mansfield Society. He has edited, with Margaret Scott, the five volume edition of Katherine Mansfield’s Collected Letters, published by Oxford University Press. He is also widely published as a poet, fiction writer, playwright, and biographer.