Magnificent...full of wit, sharp insight and vivid description.
The Times
Wonderfully entertaining
Observer
So glittering is the overall parade … and so entertaining the surface that the trilogy remains excitingly vivid; it amuses, it diverts and it informs, and to do these things so elegantly is no small achievement
Sunday Times
A fantastically tart and readable account of life in eastern Europe at the start of the war
- Sarah Waters,
A delicate, tough, mesmerising epic that grabs you by the hand and takes you straight into war, flight, and a complex and vulnerable young marriage
- Louisa Young,
One must salute the brilliance … the exactness of sights and sounds, the precise touches of light and scent, the gestures and entrances
Guardian
Glittering characterisation, sharp and eloquent writing
Sunday Telegraph
I shall be surprised, and, I must admit, dismayed if the whole work is not recognized as a major achievement in the English novel since the war. Certainly it is an astonishing recreation.
New York Times
Lush and lyrical -- and darkly funny even at its most gut-punching -- Olivia Manning's <i>Balkan Trilogy </i>manages to simultaneously be a sweeping panorama of a Europe in crisis and a discomfitingly intimate portrait of a no-less-broken marriage.
- Tara Isabella Burton, author of Social Creature,
An important 20th-century writer who paints a complex relationship between gender and power with wit and sensitivity
- Lauren Elkin,
WITH AN INTRODUCTION BY RACHEL CUSK
'A fantastically tart and readable account of life in eastern Europe at the start of the war' Sarah Waters
'Wonderfully entertaining' Observer
Autumn, 1939. Newly-weds Guy and Harriet Pringle step aboard the train to Bucharest. Guy's lecturing job awaits, alongside friends and the ever-ardent Sophie - but for Harriet, alone and naive, it's a strange new life. As Guy's world collides with that of his new bride, Harriet realises how little she knows the man she has married. Manning's masterpiece, alive with exhilarating characters, is a haunting evocation of young love and the uncertainty of war.
WITH AN INTRODUCTION BY RACHEL CUSK
'A fantastically tart and readable account of life in eastern Europe at the start of the war' Sarah Waters
'Wonderfully entertaining' Observer
Autumn, 1939.