In What Is a World? Pheng Cheah, a leading theorist of cosmopolitanism, offers the first critical consideration of world literature’s cosmopolitan vocation.  Addressing the failure of recent theories of world literature to inquire about the meaning of world, Cheah articulates a normative theory of literature’s world-making power by creatively synthesizing four philosophical accounts of the world as a temporal process: idealism, Marxist materialism, phenomenology, and deconstruction. Literature opens worlds, he provocatively suggests, because it is a force of receptivity. Cheah compellingly argues for postcolonial literature’s exemplarity as world literature through readings of narrative fiction by Michelle Cliff, Amitav Ghosh, Nuruddin Farah, Ninotchka Rosca, and Timothy Mo that show how these texts open up new possibilities for remaking the world by negotiating with the inhuman force that gives time and deploying alternative temporalities to resist capitalist globalization. 
Les mer
In What Is a World? Pheng Cheah draws on accounts of the world as a temporal process from Hegel, Marx, Heidegger, Arendt, and Derrida, and analyzes several postcolonial novels to articulate a normative theory of world literature's capacity to open up new possibilities for remaking the world.
Les mer
Acknowledgments  vii Introduction. Missed Encounters: Cosmopolitanism, World Literature, and Postcoloniality  1 Part I. The World of World in Literature in Question 1. The New World Literature: Literary Studies Discovers Globalization  23 2. The World According to Hegel: Culture and Power in World History  46 3. The World as Market: The Materialist Inversion of Spiritualist Models of the World 60 Part II. Worlding and Unworlding: Worldliness, Narrative, and "Literature" in Phenomenology and Deconstruction 4. Worlding: The Phenomenological Concept of Worldliness and the Loss of World in Modernity  95 5. The In-Between World: Anthropologizing the Force of Worlding  131 6. The Arriving World: The Inhuman Otherness of Time as Real Messianic Hope  161 Part III. Of Other Worlds to Come 7. Postcolonial Openings: How Postcolonial Literature Becomes World Literature  191 8. Projecting a Future World from the Memory of Precolonial Time  216 9. World Heritage Preservation and the Expropriation of Subaltern Worlds  246 10. Resisting Humanitarianization  278 Epilogue. Without Conclusion: Stories without End(s)  310 Notes  333 Select Bibliography  369 Index  383
Les mer
"Drawing from four critical philosophies–idealism, Marxist materialism, phenomenology, and deconstruction–theorist Pheng Cheah invites the reader to reconsider the presuppositions that underpin contemporary theories about world literature. Works from luminaries Amitav Ghosh, Michelle Cliff, and Timothy Mo, among others, providethe reader with concrete examples of Cheah’s theories in action."
Les mer
"Setting out to provide a systematic and analytical account of the notion of the world—and worlding—Pheng Cheah rethinks world literature not as the inevitable outcome of globalization, or as a reaction to the world system, but as part of the capitalist conceptual reconfiguration of the world. Powerful and provocative, What is a World? makes a significant, timely, and radical intervention." 
Les mer

Produktdetaljer

ISBN
9780822360780
Publisert
2016-01-01
Utgiver
Vendor
Duke University Press
Vekt
680 gr
Høyde
229 mm
Bredde
152 mm
Aldersnivå
P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
408

Forfatter

Biographical note

Pheng Cheah is Professor of Rhetoric and Chair of the Center for Southeast Asia Studies at the University of California, Berkeley. He is the author of Inhuman Conditions: On Cosmopolitanism and Human Rights and Spectral Nationality: Passages of Freedom from Kant to Postcolonial Literatures of Liberation