See? All we need is... a map and... some kind of plan.This overcoat is neutral darling, neither Bolshevik nor Menshevik. Just essence of Prole. In Kiev during the Russian Civil War, the Turbin household is sanctuary to a ragtag, close-knit crowd presided over by the beautiful Lena. As her brothers prepare to fight for the White Guard, friends charge in from the riotous streets amidst an atmosphere of heady chaos, quaffing vodka, keeling over, declaiming, taking baths, playing guitar and falling in love. But the new regime is poised and in its brutal triumph lies destruction for the Turbins and their world. And those are the real enemies we face, deep in the shadows. This modern man with no name, no past, no love. This desperate hate-filled man born of loneliness and frustration. This man with nothing to be proud of, nothing he is part of... Andrew Upton's version of Mikhail Bulgakov's The White Guard premiered at the National Theatre, London, in March 2010.
Les mer
As her brothers prepare to fight for the White Guard, friends charge in from the riotous streets amidst an atmosphere of heady chaos, quaffing vodka, keeling over, declaiming, taking baths, playing guitar and falling in love.
Les mer

Produktdetaljer

ISBN
9780571268597
Publisert
2010-03-18
Utgiver
Vendor
Faber & Faber
Vekt
126 gr
Høyde
198 mm
Bredde
126 mm
Dybde
9 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
112

Adapted by
Forfatter

Biographical note

Andrew Upton is Artistic Director of the Sydney Theatre Company, where his first play, Hanging Man, was staged in 2002, followed by Riflemind in 2007. He has adapted a number of classics for the company, and in 2007 his version of Gorky's Philistines was seen at the National Theatre in London, followed by Bulgakov's The White Guard (2010) and Chekhov's The Cherry Orchard (2011). He wrote the films Bangers (1999), which he also directed, and Gone (2006), and the libretto for Alan John's opera Through the Looking Glass (2008).