The Wizard of Oz 'was my very first literary influence,' writes Salman Rushdie in his account of the great MGM children's classic. At the age of ten he had written a story, 'Over the Rainbow', about a colourful fantasy world. But for Rushdie The Wizard of Oz is more than a children's film, and more than a fantasy. It's a story whose driving force is the inadequacy of adults, in which 'the weakness of grown-ups forces children to take control of their own destinies'. And Rushdie rejects the conventional view that its fantasy of escape from reality ends with a comforting return to home, sweet home. On the contrary, it is a film that speaks to the exile. The Wizard of Oz shows that imagination can become reality, that there is no such place like home, or rather that the only home is the one we make for ourselves. Rushdie's brilliant insights into a film more often seen than written about are rounded off with his typically scintillating short story, 'At the Auction of the Ruby Slippers,' about the day when Dorothy's red shoes are knocked down to $15,000 at a sale of MGM props. In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Rushdie looks back to the circumstances in which he wrote the book, when, in the wake of the controversy surrounding The Satanic Verses and the issue of a fatwa against him, the idea of home and exile held a particular resonance.
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The Wizard of Oz shows that imagination can become reality, that there is no such place like home, or rather that the only home is the one we make for ourselves. This new edition of Rushdie's study is published in the Film Classics 20th anniversary series of special editions, with a new foreword by the author.
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Foreword.- A Short Text About Magic.- At the Auction of the Ruby Slippers.- Credits.- Bibliography.
The Wizard of Oz 'was my very first literary influence,' writes Salman Rushdie in his account of the great MGM children's classic. At the age of ten he had written a story, 'Over the Rainbow', about a colourful fantasy world. But for Rushdie The Wizard of Oz is more than a children's film, and more than a fantasy. It's a story whose driving force is the inadequacy of adults, in which 'the weakness of grown-ups forces children to take control of their own destinies'. And Rushdie rejects the conventional view that its fantasy of escape from reality ends with a comforting return to home, sweet home. On the contrary, it is a film that speaks to the exile. The Wizard of Oz shows that imagination can become reality, that there is no such place like home, or rather that the only home is the one we make for ourselves. Rushdie's brilliant insights into a film more often seen than written about are rounded off with his typically scintillating short story, 'At the Auction of the Ruby Slippers,' about the day when Dorothy's red shoes are knocked down to $15,000 at a sale of MGM props … In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Rushdie looks back to the circumstances in which he wrote the book, when, in the wake of the controversy surrounding The Satanic Verses and the issue of a fatwa against him, the idea of home and exile held a particular resonance.
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One of twelve titles in BFI Film Classics 20th anniversary special editions programmeAuthor Salman Rushdie is a novelist and criticBeautiful specially commissioned coverLimited edition
"An indispensable part of every cineaste's bookcase" - Total Film "Possibly the most bountiful book series in the history of film criticism." - Jonathan Rosenbaum, Film Comment "Magnificently concentrated examples of flowing freeform critical poetry." - Uncut "The series is a landmark in film criticism." - Quarterly Review of Film and Video "A formidable body of work collectively generating some fascinating insights into the evolution of cinema." -Times Higher Education Celebrating film for over 30 years The BFI Film Classics series introduces, interprets and celebrates landmarks of world cinema. Each volume offers an argument for the film's 'classic' status, together with discussion of its production and reception history, its place within a genre or national cinema, an account of its technical and aesthetic importance, and in many cases, the author's personal response to the film.
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Produktdetaljer

ISBN
9781844575169
Publisert
2012-08-01
Utgave
2. utgave
Utgiver
Vendor
BFI Publishing
Høyde
190 mm
Bredde
135 mm
Aldersnivå
Popular/general, G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
80

Forfatter

Biographical note

SALMAN RUSHDIE is the author of eleven previous novels Luka and the Fire

of Life, Grimus, Midnight's Children (for which he won the Booker Prize and the

Best of the Booker), Shame, The Satanic Verses, Haroun and the Sea of Stories,

The Moor's Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown and

The Enchantress of Florence and one collection of short stories, East, West.

He has also published three works of nonfiction The Jaguar Smile, Imaginary

Homelands: Essays and Criticism 1981–1991, and Step Across This Line and coedited

two anthologies, Mirrorwork and Best American Short Stories 2008. He is

the former president of American PEN.