John Berger was one of the most influential thinkers and writers of postwar Europe. As a novelist, he won the Booker Prize in 1972, donating half his prize money to the Black Panthers; as a TV presenter he changed the way we looked at art in Ways of Seeing; as a storyteller and political activist he defended the rights and dignity of workers, migrants and the oppressed around the world. In 1953 he wrote: "Far from dragging politics into art, art has dragged me into politics." He remained a revolutionary up to his death in January, 2017. In A Writer of Our Time, Joshua Sperling places Berger's life and works within the historical narrative of postwar Britain and beyond. The book also explores, through the work, the larger questions that vexed a generation: the purpose of art, the nature of creative freedom, the meaning of commitment. Drawing on extensive interviews, close readings and a wealth of archival sources only recently made available, the book brings the many different faces of John Berger together and shows him as one of the most vital, and brilliant, thinkers and storytellers of our time.
Les mer
The first intellectual biography of the life and work of John Berger
The remarkable John Berger has gotten the thoughtful, sensitive study he deserves. Joshua Sperling is at ease in every aspect of this extraordinarily multifaceted writer's life: his art criticism, his fiction, his passionate political commitment, his immersion in the lives of Alpine villagers, and more. Lovers of Berger's work will find a rich array of background here, and those who don't yet know Berger will, I hope, be inspired to read him
Les mer
The first intellectual biography of the life and work of John Berger
Widespread media interest in hardback publication

Produktdetaljer

ISBN
9781786637437
Publisert
2020-04-14
Utgiver
Vendor
Verso Books
Vekt
266 gr
Høyde
198 mm
Bredde
129 mm
Dybde
20 mm
Aldersnivå
G, 01
Språk
Product language
Engelsk
Format
Product format
Heftet
Antall sider
304

Forfatter

Biographical note

Joshua Sperling has written on film, art and culture for a range of publications including the Brooklyn Rail, Guernica, Senses of Cinema, Film Quarterly, Jump Cut, Asymptote, Film Criticism, French Forum, and Bullett Magazine. He is a Visiting Professor of Cinema Studies at Oberlin College.