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Neo-Avant-Garde

Innbundet / 2006 / Engelsk

Produktdetaljer

ISBN
9789042021259
Publisert
2006-01-01
Utgiver
Brill
Vekt
830 gr
Høyde
235 mm
Bredde
155 mm
AldersnivĂĽ
G, 01
SprĂĽk
Product language
Engelsk
Format
Product format
Innbundet

Volume editor
Hopkins David

Biografisk notat

David Hopkins is Professor of Art History at the University of Glasgow. His previous publications include After Modern Art 1945-2000 (2000), Dada and Surrealism: A Very Short Introduction (2004) and Marcel Duchamp and Max Ernst: The Bride Shared ( 1998 ) all published by Oxford University Presss.

Neo-Avant-Garde

Innbundet / 2006 / Engelsk
Innbundet / 2006 / Engelsk
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The neo-avant-garde of the 1950s, 60s and 70s, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blindspots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period.
Les mer
Preface David HOPKINS: Introduction I. Art and Life David HOPKINS: ‘Art’ and ‘Life’… and Death: Marcel Duchamp, Robert Morris and Neo-Avant-Garde Irony Mark SILVERBERG: Working in the Gap between Art and Life: Frank O’Hara’s Process Poems Anna DEZEUZE: ‘Neo-Dada’, ‘Junk Aesthetic’ and Spectator Participation II. Across Art Forms Günter BERGHAUS: Neo-Dada Performance Art Anna Katharina SCHAFFNER: Inheriting the Avant-Garde: On the Reconciliation of Tradition and Invention in Concrete Poetry R. Bruce ELDER: The Structural Film: Ruptures and Continuities in Avant-Garde Art III. Centres/Peripheries Tania ØRUM: Minimal Requirements of the Post-War Avant-Garde of the 1960s Claus CLÜVER: The “Ruptura” Proclaimed by Brazil’s Self-Styled “Vanguardas” of the Fifties Richard J. WILLIAMS: Towards an Aesthetics of Poverty: Architecture and the Neo-Avant-Garde in 1960s Brazil IV. ‘High’/’Low’ Keith ASPLEY: The Avant-Garde, Neo-Avant-Garde and Radio: Robert Desnos and Philippe Soupault Ben HIGHMORE: Home Furnishings: Richard Hamilton, Domesticity and ‘Post-Avant-Gardism’ V. Body/Gender Katharine SWARBRICK: Gender Trouble? Body Trouble? Reinvestigating the Work of Marisol Escobar Gavin BUTT: Joe Brainard’s Queer Seriousness, or, How to Make Fun out of the Avant-Garde VI. Discourse/Politics Michael CORRIS: The Dialogical Imagination: The Conversational Aesthetic of Conceptual Art Frances STRACEY: Destruktion RSG-6: Towards a Situationist Avant-Garde Today VII. Dissemination Friedrich W. BLOCK: “Movens” or The Aesthetics of Movement as a Programmatic Perspective Martin PUCHNER: The Avant-Garde is Dead; Long Live the Avant-Garde! VIII. Theoretical Reflections Hubert F. VAN DEN BERG: Towards a “Reconciliation of Man and Nature”. Nature and Ecology in the Aesthetic Avant-Garde of the Twentieth Century Martin J. C. DIXON : “Blackbirds rise from a field...”: Production, Structure and Obedience in John Cage’s Lecture on Nothing Dafydd JONES: “Jeder kann Dada”: The Repetition, Trauma and Deferred Completion of the Avant-Garde List of Illustrations Abstracts Contributors Index
Les mer

Relaterte produkter

The neo-avant-garde of the 1950s, 60s and 70s, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blindspots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period.
Les mer
Preface David HOPKINS: Introduction I. Art and Life David HOPKINS: ‘Art’ and ‘Life’… and Death: Marcel Duchamp, Robert Morris and Neo-Avant-Garde Irony Mark SILVERBERG: Working in the Gap between Art and Life: Frank O’Hara’s Process Poems Anna DEZEUZE: ‘Neo-Dada’, ‘Junk Aesthetic’ and Spectator Participation II. Across Art Forms Günter BERGHAUS: Neo-Dada Performance Art Anna Katharina SCHAFFNER: Inheriting the Avant-Garde: On the Reconciliation of Tradition and Invention in Concrete Poetry R. Bruce ELDER: The Structural Film: Ruptures and Continuities in Avant-Garde Art III. Centres/Peripheries Tania ØRUM: Minimal Requirements of the Post-War Avant-Garde of the 1960s Claus CLÜVER: The “Ruptura” Proclaimed by Brazil’s Self-Styled “Vanguardas” of the Fifties Richard J. WILLIAMS: Towards an Aesthetics of Poverty: Architecture and the Neo-Avant-Garde in 1960s Brazil IV. ‘High’/’Low’ Keith ASPLEY: The Avant-Garde, Neo-Avant-Garde and Radio: Robert Desnos and Philippe Soupault Ben HIGHMORE: Home Furnishings: Richard Hamilton, Domesticity and ‘Post-Avant-Gardism’ V. Body/Gender Katharine SWARBRICK: Gender Trouble? Body Trouble? Reinvestigating the Work of Marisol Escobar Gavin BUTT: Joe Brainard’s Queer Seriousness, or, How to Make Fun out of the Avant-Garde VI. Discourse/Politics Michael CORRIS: The Dialogical Imagination: The Conversational Aesthetic of Conceptual Art Frances STRACEY: Destruktion RSG-6: Towards a Situationist Avant-Garde Today VII. Dissemination Friedrich W. BLOCK: “Movens” or The Aesthetics of Movement as a Programmatic Perspective Martin PUCHNER: The Avant-Garde is Dead; Long Live the Avant-Garde! VIII. Theoretical Reflections Hubert F. VAN DEN BERG: Towards a “Reconciliation of Man and Nature”. Nature and Ecology in the Aesthetic Avant-Garde of the Twentieth Century Martin J. C. DIXON : “Blackbirds rise from a field...”: Production, Structure and Obedience in John Cage’s Lecture on Nothing Dafydd JONES: “Jeder kann Dada”: The Repetition, Trauma and Deferred Completion of the Avant-Garde List of Illustrations Abstracts Contributors Index
Les mer

Produktdetaljer

ISBN
9789042021259
Publisert
2006-01-01
Utgiver
Brill
Vekt
830 gr
Høyde
235 mm
Bredde
155 mm
AldersnivĂĽ
G, 01
SprĂĽk
Product language
Engelsk
Format
Product format
Innbundet

Volume editor
Hopkins David

Biografisk notat

David Hopkins is Professor of Art History at the University of Glasgow. His previous publications include After Modern Art 1945-2000 (2000), Dada and Surrealism: A Very Short Introduction (2004) and Marcel Duchamp and Max Ernst: The Bride Shared ( 1998 ) all published by Oxford University Presss.

Relaterte produkter