In Shakespearean tragedy, language is used to bring about the downfall of characters, but there is also a tragedy which affects language itself through the decomposition of the fundamental concepts and mythologies which give identity to both societies and individuals. This book shows how in Shakespeare’s English history plays, Roman plays, tragicomedies, and romances, characters use language to manipulate and destroy others, but also imprison themselves in false reasoning. The misuse of language creates tragedies for individuals but also for society at large, as its conceptual building blocks lose their capacity to function. For Shakespeare, tragedy happens both to individuals and to cultures, and happens both in language and to language.
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In Shakespearean tragedy, language is used to bring about the downfall of characters, but there is also a tragedy which affects language itself through the decomposition of the fundamental concepts and mythologies which give identity to both societies and individuals.
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Preface Acknowledgements Note on Texts and Abbreviations Glossary of Rhetorical Terms Prologue: Tragic Language 1 Tragic Language in the Early History Plays 2 Tragic Language in Shakespeare’s Rome 3 Language and Dissolution 4 The Tragedy of Coercive Language 5 From Tragedy to Romance Epilogue Select Bibliography Index
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Produktdetaljer

ISBN
9789004723658
Publisert
2025-03-27
Utgiver
Brill
Vekt
279 gr
Høyde
235 mm
Bredde
155 mm
Aldersnivå
P, UP, 06, 05
Språk
Product language
Engelsk
Format
Product format
Heftet

Forfatter

Biografisk notat

Paul Hammond (Litt.D., Cambridge, 1996) is Professor of Seventeenth-Century English Literature at the University of Leeds and a Fellow of the British Academy. His books include The Strangeness of Tragedy (2009) and Tragic Agency in Classical Drama from Aeschylus to Racine (2022).