One of the most influential thrillers in media history, Jaws first surfaced as a best-selling novel by first-time novelist Peter Benchley in 1974, followed by the 1975 feature film directed by Steven Spielberg at the beginning of his storied career. Jaws is often considered the first "blockbuster," and successive generations of filmmakers have cited it as formative in their own creative development.
For nearly 50 years, critics and scholars have studied how and why this seemingly straightforward thriller holds such mass appeal. This book of original essays assembles a range of critical thought on the impact and legacy of the film, employing new perspectives--historical, cinematic, literary, scientific and environmental--while building on the insights of previous writers. While varying in focus, the essays in this volume all explore why Jaws was so successful in its time and how it remains a prominent storytelling influence well into the 21st century.
Introduction
Kathy Merlock Jackson and Philip L. Simpson
Reinterpreting Text, Narrative, and Characters
Jaws as Patriarchalâand EcocidalâMyth
Jane Caputi
Jaws, Quintâs Tale, and the Scars of World War
Kathy Merlock Jackson
Amity Means Friendship: Jaws and the ÂPost-Vietnam Politics of Perception
Andrew Howe
Struggling Against the Tide: Narrative Structure and the Human Connection in Jaws
Melissa Ford Lucken
Reflecting on Science, Nature, and Cultural Change
Youâre Gonna Need a Bigger Boom: Jaws, MythBusters, Science, and the Legacy of the Blockbuster
Michael J. Meindl
The Author and the Paratrooper: Speaking Up for Sharks, Fifty Years Apart
Emily Sullivan
Lessons from Jaws 1916â2020: What Have We Learned from Predators and Pandemics?
Amy J. Lantinga
âItâs a Carcharodon carchariasâ: Jaws, the EcoGothic, and Climate Change
Carey ÂMillsap-Spears and Michelle Zurawski
The Goofy Great White: Jaws and Our Love for an Apex Predator
Jay Alabaster
âKilling people whenever he felt like itâ: The Predatory Rogue Shark as Forerunner of the American Cultural Obsession with Serial Killers
Philip L. Simpson and Andrew Lieb
Recreating the Film Industry
Jaws and the Racial Ubiquity of the Summer Blockbuster
Joshua Botvin
A Shark Eating Its Own Tail: Sequel, Cycle, and Remake in the Jaws Franchise
Matthew Bolton
Youâll Always Go in the Water Again: The Jaws Filone
Ralph Beliveau and Carl H. Sederholm
Summer Spielberg, Winter Spielberg: Generational Transitions from Jaws to the Age of Convergence
Gary R. Edgerton
Bibliography
Camille McCutcheon
About the Contributors
Index