“Sound at the Edge of Perception explores the ‘interrelationships between hearing and listening, looking and seeing,’ with the hope that ‘by awakening the faculty of seeing, we may enhance our ability to listen—and vice versa.’” (Ben Monks, Dymock Poets and Friends, Issue 18, 2019)

This book is about the tiny sounds of the world, and listening to them, the minute signals that are clues to who and where we are. A very small sound, given the context of its history, becomes hugely significant, and even an imagined sound in a picture becomes almost a voice. By speaking a name, we give a person back to the world, and a breath, a sigh, a laugh or a cry need no language. A phoneme is the start of all stories, and were we able to tune ourselves to the subtleties of the natural world, we might share the super-sensitivity of members of the bird and animal kingdom to sense the message in the apparent silence. Mind hears sound when it perceives an image; the book will appeal to sonic and radio practitioners, students of sound, those working in the visual arts, and creative writers.
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This book is about the tiny sounds of the world, and listening to them, the minute signals that are clues to who and where we are. A very small sound, given the context of its history, becomes hugely significant, and even an imagined sound in a picture becomes almost a voice.
Les mer
1 Introduction: The Bell of Józef Czechowicz ¬– The Importance of Minute Sound Moments.- 2 The Notes of Human Music.- 3 Making the Moment Singable.- 4 Signals from Near and Far Shores – Voices from the Natural World.- 5 Speak My Name – the Ownership of Syllables.- 6 First and Last Sounds – Messages Beyond Language.
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“Seán Street is one of our great listeners and one of our finest interpreters of listening. This book uses literature, the visual arts, music, radio, the sounds of the natural world, and silence, to explore the deepest meanings of sound, or, as he writes in his last sentence, “all the murmurs in the whispering world”.” (Piers Plowright, Radio Features Producer)

“Professor Seán Street is one of our most important philosopher poets. He brings to the art of sound and radio an aesthetic conscience and creative intellect that finds the auricular heart in a grain of sand. He can articulate the meaning in those murmurings of past hearing that rest dormant in our listening memory only to be awakened by the poetic inspiration of our everyday soundscape. This beautiful book explores resonance and advances our understanding of T.S. Eliot's concept of the auditory imagination.” (Professor Tim Crook, Goldsmiths, University of London, UK)

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Provides a novel, philosophical perspective of sound, concerned with the emotional effect of 'moments of sound', and our potential to develop deeper responses to these events Offers an engaging narrative style told from perspective of a poet, an academic and a radio practitioner Explores the significance lying in the often-missed sounds of life, and attempts to champion an attentiveness to them Deconstructs the world's orchestra, uncovering the subtleties that lie almost concealed in the sound work of which we are a part Based principally on the author's own reflections drawn from a lifetime of gathering and listening to and for sounds in documentaries and features, and attempting to translate the world into words in poetry
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GPSR Compliance The European Union's (EU) General Product Safety Regulation (GPSR) is a set of rules that requires consumer products to be safe and our obligations to ensure this. If you have any concerns about our products you can contact us on ProductSafety@springernature.com. In case Publisher is established outside the EU, the EU authorized representative is: Springer Nature Customer Service Center GmbH Europaplatz 3 69115 Heidelberg, Germany ProductSafety@springernature.com
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Produktdetaljer

ISBN
9789811316128
Publisert
2018-07-25
Utgiver
Vendor
Springer Verlag, Singapore
Høyde
210 mm
Bredde
148 mm
Aldersnivå
Research, P, 06
Språk
Product language
Engelsk
Format
Product format
Innbundet

Forfatter

Biografisk notat

Seán Street is Emeritus Professor of Radio at Bournemouth University, UK. Previous books include The Poetry of Radio, The Memory of Sound and Sound Poetics. As a poet, he has published nine collections, the most recent being Camera Obscura, and has edited an anthology of poems about radio, entitled Radio Waves.