Donald Pizer is not only a consistently reliable guide to the literature of John Dos Passos, he offers an unmatched depth of critical understanding. Pizer digs to the heart of the matter, focusing squarely on Dos Passos and his world, too sure of himself and his method to need flourishes of this yearâs critical theory for support. This volume shows Pizer at this best, shining the brightest light on his subject.
- Richard Layman, President, Bruccoli Clark Layman, and Editor Director, The Dictionary of Literary Biography,
Pizer is one of the best knownâand admiredâscholars of Dos Passosâs work. Toward a Modernist Style is a series of intelligent essays about this major American writer. It is not exactly a reassessment of Dos Passosâs work, but it adds to our understanding and expands our view of him as a modernist writer. If I were a student or scholar studying Dos Passos, or twentieth-century American literature and culture, I would want to read this.
- Townsend Ludington, Boshamer Professor Emeritus of English and American Studies, University of North Carolina at Chapel Hill, USA, author of John Dos Passos: A Twentieth-Century Odyssey,
Pizerâs new collection complements and expands the scope of the scholarâs earlier work on Dos Passosâs most important novels and their radical innovations in narrative form. These insightful essays place the writerâs workâwriting and paintingâinto interdisciplinary contexts and connect it to the intellectual and cultural ferment of the 1920s and the expatriate community in which Dos Passos played an integral role as a leading modernist.
- Lisa Nanney, author of John Dos Passos Revisited,
A new appraisal of Dos Passos's work and life, Toward a Modernist Style describes both the central currents in his early work, and his full participation in literary modernism, culminating in his U.S.A. trilogy, as well as the relationship of these currents to those of an especially vibrant period in American expression.
Donald Pizer charts the evolution of Dos Passos's artistic sensibility from its largely conventional expression at the start of the 1920s to the radical formal experimentation of U.S.A. at its close. He places this development in Dos Passos's writing in the context of contemporary ideas about art and society. Pizer also looks at the important roles that Dos Passos's expatriation and his relationship with Ernest Hemingway played in his work as well as his efforts as a painter and their relationship to his literary art.
Toward a Modernist Style is both an incisive guide to a major American modernist as well as an exploration of the wider currents that created literary modernism in the early twentieth century.
Preface
Editorial Note and Acknowledgments
The Early 1920s: Constructing a Style
Introduction to Three Soldiers
Rosinante to the Road Again and the Modernist Expatriate Imagination
John Dos Passos in the 1920s: The Development of a Modernist Style
U.S.A.: The Style Perfected
U.S.A.
The Camera Eye in U.S.A.: The Sexual Center
The Big
The Sexual Geography of Expatriate Paris
The 1920s and Beyond: Friendships and Art
The Hemingway-Dos Passos Relationship
The Paintings of John Dos Passos
Notes
Index