This study presents the first full history of Old English poetic mise-en-page, drawing its approach from the fields of literary criticism, art history, metrics, palaeography, and the history of the book. Paying special attention to lineation, this book surveys the layout of poetry from the earliest Latin writings in England, to modern editions of the twentieth and twenty-first centuries. It argues that the vernacular verse page is not, as has often been assumed, merely constrained by linguistic status. Rather, the layout of Old English poetry is shown to be the result of engaged scribal and editorial choices, and one of a set of tools used to meet readers’ needs and to express identities. Old English verse is not laid out "like prose,” but like Old English verse.

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Presents the first full history of Old English poetic mise-en-page, paying special attention to lineation, and arguing that the vernacular verse page is the result of engaged scribal and editorial choices. Old English verse is not laid out "like prose,” but like Old English verse.

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List of Illustrations

Abbreviations

Manuscripts Referenced, with Abbreviated or Alternative Titles

A Note on Terminology and References

Series Editors’ Preface

Acknowledgements

Introduction. Rethinking the Vernacular Page

Chapter 1. Latin Verse to the Tenth Century

Chapter 2. Old English Verse in Medieval Manuscripts

Chapter 3. Old English Verse in Modern Editions

Conclusions

Bibliography

Index

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Product details

ISBN
9781802704440
Published
2026-01-31
Publisher
Arc Humanities Press
Height
229 mm
Width
152 mm
Age
P, 06
Language
Product language
Engelsk
Format
Product format
Heftet
Number of pages
186

Biographical note

Rachel A. Burns is Associate Professor of Medieval English Literature in the Faculty of English at the University of Oxford, and Tutorial Fellow at Jesus College, Oxford. She is the co-editor of Tradition and Innovation in Old English Metre (2022), and has published widely on Old English poetry.