ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario.

Introduction
Robert L. A. Clark

Waits, Other Musicians, and the Performance Tradition (Including Drama) in Early Suffolk
James Stokes

Residual Allegory in Elizabethan Drama: The One-Scene Psychomachia and Arresting the Vice
Alan C. Dessen

Tom Tyler and His Wife: Allegory, Satire, Shrews and Sheep
Dana L. Key and Emma Whipday

Amplificatio in Performance: The Digby Conversion of St. Paul on Stage
Ann Hubert

Kyd, Shakespeare, and Arden of Faversham: A {Belated) Reply to MacDonald Jackson
Brian Vickers