Francis Bacon was one of most elusive and enigmatic creative geniuses of the twentieth century. However much his avowed aim was to simplify both himself and his art, he remained a deeply complex person. Bacon was keenly aware of this underlying contradiction, and whether talking or painting, strove consciously towards absolute clarity and simplicity, calling himself 'simply complicated'. Until now, this complexity has rarely come across in the large number of studies on Bacon's life and work. Francis Bacon: Studies for a Portrait shows a variety of Bacon's many facets, and questions the accepted views on an artist who was adept at defying categorization. The essays and interviews brought together here span more than half a century. Opening with an interview by the author in 1963, the year that he met Bacon, there are also essays written for exhibitions, memoirs and reflections on Bacon's late work, some published here for the first time. Included are recorded conversations with Bacon in Paris that lasted long into the night, and an overall account of the artist's sources and techniques in his extraordinary London studio. This is an updated edition of Francis Bacon: Studies for a Portrait (2008), published for the first time in a paperback reading book format. It brings this fascinating artist into closer view, revealing the core of his talent: his skill for marrying extreme contradictions and translating them into immediately recognizable images, whose characteristic tension derives from a life lived constantly on the edge.
Michael Peppiatt, a major art critic and close friend of Francis Bacon's, offers an entertaining and uniquely well-informed portrait of this complex artist.
Introduction * Interviewing Francis Bacon: Interview One: From a Conversation with Francis Bacon; Francis Bacon At Work; Bacon and Picasso On La Danse (Crucifixion), 1933; An Obsession with Popes; Francis Bacon in the 1950s * Interview Two: Reality Conveyed by a Lie; The Sacred and the Profane; Mr Bacon and Miss Beston; 'All the Pulsations of a Person': Portraits and Self-Portraits On Four Studies for a Self-Portrait, 1967; Francis Bacon and Shakespeare * Interview Three: Provoking Accidents, Prompting Chance; Francis Bacon in Paris; On Study of George Dyer, 1971; On Seated Figure, 1974; A Strange Fascination: Michel Leiris and Francis Bacon; On Two Figures, 1975; Reflections on Francis Bacon's Late Work * Envoi: Bacon's Eyes
'Peppiatt writes perceptively about Bacon's endlessly contradictory nature, his generosity and cruelty, his violence and tenderness, his dandyism and love of squalor, his spectacular dissipation and iron self-discipline, and what he called his "exhilarated despair"' - Daily Telegraph'Contains interviews with and recollections of the artist from the 1960s almost until his death... include[s] the full, fascinating text of Bacon's answers when he was interviewed for the first time by his future biographer, in 1963, before celebrity began to overtake some of his responses' - Times Literary Supplement
An updated edition of Michael Peppiatt's entertaining and uniquely well-informed portrait of Francis Bacon
Michael Peppiatt is a well-known author and internationally respected authority on 20th-century art. He has written numerous publications on Bacon, including the biography Francis Bacon: Anatomy of an Enigma, 2009.