“[Brooks] writes with obvious knowledge from impeccable research in an engaging and eminently readable style...astonishingly thorough account. For anyone with even the slightest interest in vintage entertainment, this volume should be on your bookshelf as soon as possible.”—<i>For the Record</i>
“<i>The Minstrel Show in Mass Media</i> tells the rest of the story. It tells it completely and succinctly.... At an approachable length, and as riveting as any secret knowledge, it should be included in every syllabus that touches this subject. These are the unvarnished facts”—<i>The Syncopated Times</i>.
The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form.
This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.
Acknowledgments
Preface
1. The Origins of Blackface Minstrelsy
2. The Minstrel Show on Records
3. The Minstrel Show on Radio
4. The Minstrel Show in Motion Pictures
5. The Minstrel Show on Television
6. Epilogue and Conclusions
Appendix 1. Prominent Minstrel Troupes Active after 1890
Appendix 2. Discography of Minstrel Recordings
Appendix 3. Early Recording Artists with Minstrel Experience
Chapter Notes
Bibliography
Index