<p>"An astonishing exploration of a contemporary moment – the one that exploded with Brexit -- this book creeps up on late modernity in a way that no direct address could. Who would think to juxtapose aristocracy, inheritance and nationhood with change, empiricism and contingency through the vernacular idiom of ‘the house’? Smith shows how the idiom of the house perpetuates a world simultaneously lost and made, problematising Englishness in the most profound way."<br />Professor Dame Marilyn Strathern, University of Cambridge<br /><br />"Much has been written about the supposed downfall of the aristocracy. But that doesn’t explain their ongoing presence in society, nor our continued fascination with them. <i>The Fall and Rise of Britain's Upper-Classes </i>makes a distinct intervention into the sociology of the elites through the concept of ‘the house society’. Arguing that ‘idioms’ of the aristocratic classes ‘haunt’ contemporary Britain, Smith argues that capitalism in England arose out of a landed aristocracy, and so logics of capital have always already been imbricated by inheritance, kinship and traditionalism. The book deftly combines a huge range of case studies, from close readings of political memoirs to an ethnography of a bookshop, to contend that our national imagination still hinges upon this privileged group. An important contribution to research on social class and privilege, Smith’s book is a rare account of the group whose power is in its invisibility: the aristocracy."<br />Laura Clancy, Lecturer in Media at Lancaster University and author of <i>Running the family firm: How the royal family manages its image and our money </i><br /><br />CHOICE: Highly recommended</p>
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List of tables
Acknowledgements
Introduction: England’s hope and loss
Part I: Fall and rise
1. Houses, kinship and capital
2. England as a house society
Part II: The social poetics of houses
3. Imperial melancholia: Rory Stewart’s The Marches (2017)
4. Arcadianism: Adam Nicolson’s Sissinghurst (2008)
5. ‘Island Englishness’: Roger Scruton’s England: An Elegy (2000)
Part III: Houses as kinship & capital
6. The Reading Public
7. The Branded Gentry
8. The fortunes of the land
Conclusion: contingent remainders
References
Index
‘The fall and rise of the English upper class deftly combines a huge range of case studies, from close readings of political memoirs to an ethnography of a bookshop, to contend that our national imagination still hinges upon this privileged group. Smith’s book is a rare account of the group whose power is in its invisibility: the aristocracy.’
Laura Clancy, Lecturer in Media at Lancaster University and author of Running the Family Firm
‘An astonishing exploration of a contemporary moment – the one that exploded with Brexit – this book creeps up on late modernity in a way that no direct address could. Smith shows how the idiom of the house perpetuates a world simultaneously lost and made, problematising Englishness in the most profound way.’
Marilyn Strathern, University of Cambridge
How has England’s historic upper class once again come to occupy such a prominent position in English public life? Over the second half of the twentieth century, Great Britain’s protracted imperial decline also saw its rigid class structure gradually decay. Since 2016, however, English society has witnessed a surprising resurgence of its upper class, whose status and traditionalist worldviews have come to shape UK politics, culture, and the sense of our collective future.
The fall and rise of the English upper class examines how these traditionalist views are unified by a common thread: English society is imagined through idioms of kinship and inheritance, formed around the densely symbolic image of the house. From ‘Establishment’ institutions to the ancestral homes of the landed gentry and aristocracy, the message underlying these institutions and cultural ideals is: who inherits the house, inherits England.
By exploring the history of English society’s passage to capitalism and its curious class structure, this book examines the writings of upper-class figures – from Rory Stewart to Roger Scruton – to illustrate how anxieties about the future always find their answer in the traditions of the past.