Artificial Body in Fashion and Art Marionettes, Models and Mannequins
Produktdetaljer
Biografisk notat
Adam Geczy is an artist and writer, and teaches at Sydney College of the Arts, the University of Sydney, Australia. He is the author and co-author of numerous books, the most recent being Fashion and Art (Berg, 2012) and Fashion’s Double (Bloomsbury Academic, 2015).The mixture and range of cultural forces at play in this scintillating manuscript takes us on a cultural magical mystery tour that is as exciting as it is surprising, as provocative as it is erudite, as original as it is imaginative, and as thrilling as it is perverse.
Joy Sperling, Professor of Art History and Visual Culture, Denison University, USA
A profoundly innovative study that presents surprising and far-reaching insights into the complex intersections between the phenomenology of dolls, masquerade and marionettes and post-modern subjectivities.
Mary Gluck, Professor of History and Comparative Literature, Brown University, USA
Using several social science disciplines, Geczy undertakes a valuable overview of the changing significance of the doll in previous centuries and today. His analysis reveals important changes that are taking place in women's conceptions of the female body.
Diana Crane-Herve, University of Pennsylvania, USA
This book is a completely fascinating read that takes you far beneath the surface of appearances by stripping bare a myriad of meanings of dolls in our lives, from baby to adult. It makes you think, and re-think, by drawing on diverse histories of theatre, art, fashion, aesthetics, technology, religion, philosophy and psychoanalysis, literature, film, gender and cultural theory. Geczy brilliantly guides the reader in this rich account that cannot be pigeon-holed by discipline—it is a must read for all interested in the relationship between our minds, bodies and soul.
- Alexandra Palmer, Nora E. Vaughn Fashion Curator, Royal Ontario Museum, Canada,
Painting a broad canvas Geczy provides a rich and detailed landscape that links ideas stretching from Jane Munro’s Silent Partners: Artist and Mannequin from Function to Fetish - a cultural history that traces centuries of evolution of the artist’s mannequin within the context of an expanding universe of effigies, avatars, dolls, and shop window dummies - to Yuval Harari’s Sapiens: A Brief History of Humankind, which provides an evolutionary history of our species towards an unfolding future that witnesses the fusion between natural bodies and cyber limbs in a scientific odyssey involving non-organic-life engineering. Geczy adds an important piece in the jigsaw of the scholarship on dolls and masks, that examined the boundaries of the animate and inanimate in dolls and representations.
- Efrat Tseelon, author of Masquerade & Identities (2001), University of Leeds, UK,
Readers of Geczy’s book are in for a wild ride. The lavishly illustrated narrative moves in broad strokes from the commedia dell’arte to cyborgs, with grossout plastic surgery disasters and live sex dolls in between ... I recommend this book to anyone who enjoys a good recuperation of a neglected scholar, likes their art and fashion history mixed with a liberal dose of philosophical and social theory, or is simply curious about the role of dolls and the artificial body in the development of human self-understanding ... Geczy’s work makes for a thought-provoking, informative, and fascinating read.
Utopian Studies
The Artificial Body in Fashion and Art provides a much-needed synthesis of constructed bodies across time and place, drawing on fashion theory, theatre studies and material culture, to explore what the body means in the realms of identity, gender, performance and art.
- ADDRESS: Journal for Fashion Criticism,