Produktdetaljer
Biografisk notat
Helene Cixous was born in Oran, Algeria, and is emeritus professor of literature at the Université Paris VIII, where she founded and directed the Centre de recherches en études féminines. She is the author of more than seventy works of fiction, plays, and collections of critical essays; recent titles in English translation include So Close, Zero’s Neighbour: Sam Beckett, Hemlock, and Philippines. In her 1975 essay ‘The Laugh of the Medusa’, she created the term écriture féminine to describe a uniquely feminine style of writing.
A woman replays her abandonment by her mother, who is sometimes addressed as a male mother-god. She is also abandoned by her lover, to whom she is in thrall. She tries repeatedly to make or receive phone calls with the beloved figures, without success. She waits for their letters and imagines their contents. In a dream-like, torrid sequence, suffering, fear, fatigue and imperfection are apostrophised. Forgetting is examined and toyed with from every angle. Mythical hybrid creatures are invoked: a snake-headed lion, wolf-snakes, a wolf-peacock. How did this come to be? In a cunningly, wittily wrought rush, the unique, unpredictable voice of the narrator speaks from multiple perspectives to express powerful anguish and, ultimately, catharsis.
A bold new novel from feminist icon Helene Cixous – a masterwork of love, loss, and memory.
Produktdetaljer
Biografisk notat
Helene Cixous was born in Oran, Algeria, and is emeritus professor of literature at the Université Paris VIII, where she founded and directed the Centre de recherches en études féminines. She is the author of more than seventy works of fiction, plays, and collections of critical essays; recent titles in English translation include So Close, Zero’s Neighbour: Sam Beckett, Hemlock, and Philippines. In her 1975 essay ‘The Laugh of the Medusa’, she created the term écriture féminine to describe a uniquely feminine style of writing.