/

All-Sustaining Air Romantic Legacies and Renewals in British, American, and Irish Poetry since 1900

O'Neill Michael
Innbundet / 2007 / Engelsk

Produktdetaljer

ISBN
9780199299287
Publisert
2007
Utgiver
Oxford University Press
Vekt
487 gr
Høyde
241 mm
Bredde
163 mm
Dybde
17 mm
Aldersnivå
UU, UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
224

Forfatter
O'Neill Michael

Biografisk notat

Michael O'Neill is Professor of English at Durham University. He has published books, chapters, and articles on many aspects of Romantic literature, especially the work of Percy Bysshe Shelley, and on an array of British, Irish, and American twentieth- and twenty-first century poets. He received the Eric Gregory Award in 1983 for his poetry and a Cholmondeley Award from the Society of Authors in 1990. He is a Director of the Institute of Advanced Study at Durham University (launched 2006).

All-Sustaining Air Romantic Legacies and Renewals in British, American, and Irish Poetry since 1900

O'Neill Michael
Innbundet / 2007 / Engelsk
O'Neill Michael
Innbundet / 2007 / Engelsk
Nettpris:
1.393,-
Laveste pris siste 30 dager: 1.393,-
Ikke i salg
Klikk og hent

the reader is constantly challenged and delighted

Studies in Romanticism

His readings are beyond facile summary, but this is a masterly book from a reader who has an enormous command of twentieth-century poetry alongside a unique and justly renowned insight into the writing of Romanticism.

Matthew Scott, Romanticism and Victorianism on the Net

The All-Sustaining Air...suggests the literary persistence of Romantic norms in British, Irish, and American poetry since the early 1900s, primarily by dwelling on the image of "air." His angle on W. H. Auden, in particular, illustrates the complex and subtle response of modern attempts to renew Romantic lyricism in a post-Romantic world.

Larry H. Peer, Prism(s)

Se alle

[Michael O'Neill] extends his range to more recent poetry in The All-Sustaining Air in finely nuanced readings we have come to expect of him, showing the complexity by which words and associations circulate between texts and among authors... O'Neill offers an exemplary, flexible model and a potent reminder of the value of close reading.

Kristen Guest, Keats-Shelley Journal

The All-Sustaining Air continues [O'Neill's] commitment to the importance of close reading and sustained attention to the detail of poetics. The book opens with a superb chapter that takes the Romantic use of 'air' and runs with it...The book is as important for Romanticists who neatly divide their own period from what follows as it is for twentieth-century scholars who too lazily read the work of modern poets as rejecting a conservative or bombastic Romantic paradigm.

David Stewart, The Year's Work in English Studies

The influence of Romantic poetry on poets since 1900 is a significant matter... Michael O'Neill is an ideal commentator on this topic. He is convinced of the importance of this relationship for understanding modern poetry, but he is also the most non-reductionist of critics, capable of registering and explicating the unique character of a particular poetic handling or embodiment of theme, in full sensitivity to the interpretive force of form or language ... This book will prove to be essential reading

Edward Larrissy, Romanticism

For a slim book, this is a study of remarkable latitude, and the ambitious range provides The All Sustaining Air its major distinction ... [O'Neill] has published previously on the question of 'Poetry As Criticism', and The All-Sustaining Air succeeds in animating the Bloomian proposition of influence as a form of critical re-writing, with a close attention to the mutuality of disciplines

Sarah Bennett, Notes and Queries

O'Neill's readings across a great range of poets and poems are wonderfully intricate and sophisticated, inward with the poetry discussed, alert to hidden allusion and predictably subtle about formal choice and nuance.

Steve Matthews, BARS Bulletin & Review

a stunning array of sophisticated associations to poets and poetic outcomes...The All-Sustaining Air...can sustain ...critique, even invite it, because it succeeds so completely in laying out the lineaments of a tradition and does do by that most convincing of methods, the celebration of the poems that comprise it, through careful, imaginative, even poetic, close readings.

Jeffrey C. Robinson, The Wordsworth Circle

Air, but never hot air, is everywhere in this cleverly written, eloquent book that is so aware of word-play and the cosmos of echoes.

Guy Cuthbertson, Keats-Shelley Review

inspiring ... O'Neill ... employs "double responsiveness" by reading poetry "as literary criticism", by allowing the poem to be the "place where the finest and most nuanced reading of a previous poem or poetry occurs" ... One could not wish for a more attuned, erudite guide to these poems than O'Neill.

Heidi Thomson, Modern Language Review

appealing and suggestive...This excellent book captures the spirit of Romanticism by exploring the ways in which post-Romantic poets, from William Butler Yeats to the present, have used, contested, and reworked Romantic poetry.

Ann C. Colley, Studies in English Literature, 1500-1900

[an] absorbing study... a pleasure to read. Its subtitle speaks of "legacies and renewals", and the book's own commitment to renewals of various kinds should ensure it a sustaining afterlife in future studies of Romantic and modern poetry.

Matthew Bevis, Review of English Studies

One of the distinctive strengths of his study is the way in which the discourses of poetry and literary criticism interpenetrate each other and one of the most prepossessing features of O'Neill's prose style is the way that his literary criticism offers distilled and eloquent evocations of poetry that themselves approach the condition of poetry... O'Neill allows us to see and hear the give and take of literary influence at the level of the line and at the level of the word... the reader is constantly challenged and delighted by the revelation of before unapprehended relations of things. The book is dedicated to Jonathan Wordsworth and it is a splendid tribute to a teacher who wanted, above all, to impart a love of poetry to his students.

Jane Stabler, Studies in Romanticism

a fine demonstration that literary criticism may itself acquire some of the virtues of poetry, and nowhere more compellingly than in its astonishing first chapter ... To read this book is to have one's preconceptions challenged on almost every page. ... It is a book that restores one's faith in literary criticism.

Richard Cronin, Romanticism

Drawn from Shelley's Prometheus Unbound, the title of this book suggests the cultural and literary persistence of the Romantic in the work of many British, American, and Irish poets since 1900. Allowing for and celebrating the multiple, even fractured nature of Romantic legacies, Michael O'Neill focuses on the creative impact of Romantic poetry on twentieth- and twenty-first century poetry. Individual chapters embrace numerous authors and texts, and span different cultures; the intention is not the forlorn hope of completeness, but the wish to open up possibilities and intersections, and there is a strong sense throughout of poetry serving as a subtle and profound form of literary criticism. A wide-ranging introduction analyses the persistence of the Romantic in poets such as Ted Hughes, Wilfred Owen, Robert Frost, Denise Levertov, Robert Lowell, and others, and sets the scene for subsequent discussions. Chapter 1 dwells on images of 'air', using these to understand the efforts of a number of twentieth-century poets to 'sustain' Romanticism, or forms of it. Chapters 2 and 3 focus on Yeats and Eliot, respectively, the latter apparently shunning the Romantic, the former seeming to embrace it, but both responding with subtlety and individuality to the Romantic bequest. Chapter 4 argues that Wallace Stevens's 'Esthétique du Mal' should be read as a work that illuminates the writings of the major Romantics, especially about evil and suffering. Chapter 5 discusses the work of W. H. Auden and Stephen Spender, exploring the complex response of both poets to the Romantic, Auden complicated in his post-Romantic attitudes, Spender daring in his attempts to renew a Romantic lyricism in a post-Romantic age. Chapter 6 returns to a broader sweep as it investigates the response of a range of contemporary poets from Northern Ireland, including Heaney, Kavanagh, Mahon, and Carson, to Romantic poetry. Chapter 7 sustains the Irish connection, discussing Paul Muldoon's dealings with Byron and other Romantics, especially in Madoc. And Chapter 8 focuses on Geoffrey's Hill's tense and tensed relations with Romantic poetry, and on Roy Fisher's sense of being a 'gutted Romantic', in order to illustrate two diverse ways of being post-Romantic in contemporary culture.
Les mer
Michael O'Neill's impressive study provides sensitive close readings of poets publishing since 1900, including Yeats, Eliot, Stevens, Bishop, Heaney, Muldoon, Mahon, Hill, and Hughes. He shows that Romantic poetry is a dominant presence in their poems. The book will greatly interest those who enjoy the exploration of poetry's attempt to deal with major human and cultural issues.
Les mer
Introduction: 'Original Response' ; 1. 'The All-Sustaining Air': Variations on a Romantic Metaphor ; 2. 'A Vision of Reality': Mid-to-Late Yeats ; 3. 'Dialectic Ways': T. S. Eliot and Counter-Romanticism ; 4. 'The Guts of the Living': Auden and Spender in the 1930s ; 5. 'The Death of Satan': Stevens's 'Esthetique du Mal', Evil, and the Romantic Imagination ; 6. 'Shining in Modest Glory': Post-Romantic Strains in Kavanagh, Heaney, Mahon, and Carson ; 7. : 'Just Another Twist in the Plot': Paul Muldoon's Madoc ; 8. 'Deep Shocks of Recognition' and 'Gutted' Romanticism: Geoffrey Hill and Roy Fisher
Les mer
Covers an impressive range of poets, including Eliot, Stevens, Bishop, Heaney, Muldoon, Mahon, Hill, and Hughes Subtle, sensitive, and close readings of many important poems bring them alive Finds meaning in poetry by approaching it as a form of literary criticism - a rewarding alternative to predominantly theoretical accounts Deals with many challenging twentieth- and twenty-first century poets, giving readers fresh access to numerous 'difficult' poems
Les mer
Michael O'Neill is Professor of English at Durham University. He has published books, chapters, and articles on many aspects of Romantic literature, especially the work of Percy Bysshe Shelley, and on an array of British, Irish, and American twentieth- and twenty-first century poets. He received the Eric Gregory Award in 1983 for his poetry and a Cholmondeley Award from the Society of Authors in 1990. He is a Director of the Institute of Advanced Study at Durham University (launched 2006).
Les mer
Covers an impressive range of poets, including Eliot, Stevens, Bishop, Heaney, Muldoon, Mahon, Hill, and Hughes Subtle, sensitive, and close readings of many important poems bring them alive Finds meaning in poetry by approaching it as a form of literary criticism - a rewarding alternative to predominantly theoretical accounts Deals with many challenging twentieth- and twenty-first century poets, giving readers fresh access to numerous 'difficult' poems
Les mer

Relaterte produkter

the reader is constantly challenged and delighted

Studies in Romanticism

His readings are beyond facile summary, but this is a masterly book from a reader who has an enormous command of twentieth-century poetry alongside a unique and justly renowned insight into the writing of Romanticism.

Matthew Scott, Romanticism and Victorianism on the Net

The All-Sustaining Air...suggests the literary persistence of Romantic norms in British, Irish, and American poetry since the early 1900s, primarily by dwelling on the image of "air." His angle on W. H. Auden, in particular, illustrates the complex and subtle response of modern attempts to renew Romantic lyricism in a post-Romantic world.

Larry H. Peer, Prism(s)

Se alle

[Michael O'Neill] extends his range to more recent poetry in The All-Sustaining Air in finely nuanced readings we have come to expect of him, showing the complexity by which words and associations circulate between texts and among authors... O'Neill offers an exemplary, flexible model and a potent reminder of the value of close reading.

Kristen Guest, Keats-Shelley Journal

The All-Sustaining Air continues [O'Neill's] commitment to the importance of close reading and sustained attention to the detail of poetics. The book opens with a superb chapter that takes the Romantic use of 'air' and runs with it...The book is as important for Romanticists who neatly divide their own period from what follows as it is for twentieth-century scholars who too lazily read the work of modern poets as rejecting a conservative or bombastic Romantic paradigm.

David Stewart, The Year's Work in English Studies

The influence of Romantic poetry on poets since 1900 is a significant matter... Michael O'Neill is an ideal commentator on this topic. He is convinced of the importance of this relationship for understanding modern poetry, but he is also the most non-reductionist of critics, capable of registering and explicating the unique character of a particular poetic handling or embodiment of theme, in full sensitivity to the interpretive force of form or language ... This book will prove to be essential reading

Edward Larrissy, Romanticism

For a slim book, this is a study of remarkable latitude, and the ambitious range provides The All Sustaining Air its major distinction ... [O'Neill] has published previously on the question of 'Poetry As Criticism', and The All-Sustaining Air succeeds in animating the Bloomian proposition of influence as a form of critical re-writing, with a close attention to the mutuality of disciplines

Sarah Bennett, Notes and Queries

O'Neill's readings across a great range of poets and poems are wonderfully intricate and sophisticated, inward with the poetry discussed, alert to hidden allusion and predictably subtle about formal choice and nuance.

Steve Matthews, BARS Bulletin & Review

a stunning array of sophisticated associations to poets and poetic outcomes...The All-Sustaining Air...can sustain ...critique, even invite it, because it succeeds so completely in laying out the lineaments of a tradition and does do by that most convincing of methods, the celebration of the poems that comprise it, through careful, imaginative, even poetic, close readings.

Jeffrey C. Robinson, The Wordsworth Circle

Air, but never hot air, is everywhere in this cleverly written, eloquent book that is so aware of word-play and the cosmos of echoes.

Guy Cuthbertson, Keats-Shelley Review

inspiring ... O'Neill ... employs "double responsiveness" by reading poetry "as literary criticism", by allowing the poem to be the "place where the finest and most nuanced reading of a previous poem or poetry occurs" ... One could not wish for a more attuned, erudite guide to these poems than O'Neill.

Heidi Thomson, Modern Language Review

appealing and suggestive...This excellent book captures the spirit of Romanticism by exploring the ways in which post-Romantic poets, from William Butler Yeats to the present, have used, contested, and reworked Romantic poetry.

Ann C. Colley, Studies in English Literature, 1500-1900

[an] absorbing study... a pleasure to read. Its subtitle speaks of "legacies and renewals", and the book's own commitment to renewals of various kinds should ensure it a sustaining afterlife in future studies of Romantic and modern poetry.

Matthew Bevis, Review of English Studies

One of the distinctive strengths of his study is the way in which the discourses of poetry and literary criticism interpenetrate each other and one of the most prepossessing features of O'Neill's prose style is the way that his literary criticism offers distilled and eloquent evocations of poetry that themselves approach the condition of poetry... O'Neill allows us to see and hear the give and take of literary influence at the level of the line and at the level of the word... the reader is constantly challenged and delighted by the revelation of before unapprehended relations of things. The book is dedicated to Jonathan Wordsworth and it is a splendid tribute to a teacher who wanted, above all, to impart a love of poetry to his students.

Jane Stabler, Studies in Romanticism

a fine demonstration that literary criticism may itself acquire some of the virtues of poetry, and nowhere more compellingly than in its astonishing first chapter ... To read this book is to have one's preconceptions challenged on almost every page. ... It is a book that restores one's faith in literary criticism.

Richard Cronin, Romanticism

Drawn from Shelley's Prometheus Unbound, the title of this book suggests the cultural and literary persistence of the Romantic in the work of many British, American, and Irish poets since 1900. Allowing for and celebrating the multiple, even fractured nature of Romantic legacies, Michael O'Neill focuses on the creative impact of Romantic poetry on twentieth- and twenty-first century poetry. Individual chapters embrace numerous authors and texts, and span different cultures; the intention is not the forlorn hope of completeness, but the wish to open up possibilities and intersections, and there is a strong sense throughout of poetry serving as a subtle and profound form of literary criticism. A wide-ranging introduction analyses the persistence of the Romantic in poets such as Ted Hughes, Wilfred Owen, Robert Frost, Denise Levertov, Robert Lowell, and others, and sets the scene for subsequent discussions. Chapter 1 dwells on images of 'air', using these to understand the efforts of a number of twentieth-century poets to 'sustain' Romanticism, or forms of it. Chapters 2 and 3 focus on Yeats and Eliot, respectively, the latter apparently shunning the Romantic, the former seeming to embrace it, but both responding with subtlety and individuality to the Romantic bequest. Chapter 4 argues that Wallace Stevens's 'Esthétique du Mal' should be read as a work that illuminates the writings of the major Romantics, especially about evil and suffering. Chapter 5 discusses the work of W. H. Auden and Stephen Spender, exploring the complex response of both poets to the Romantic, Auden complicated in his post-Romantic attitudes, Spender daring in his attempts to renew a Romantic lyricism in a post-Romantic age. Chapter 6 returns to a broader sweep as it investigates the response of a range of contemporary poets from Northern Ireland, including Heaney, Kavanagh, Mahon, and Carson, to Romantic poetry. Chapter 7 sustains the Irish connection, discussing Paul Muldoon's dealings with Byron and other Romantics, especially in Madoc. And Chapter 8 focuses on Geoffrey's Hill's tense and tensed relations with Romantic poetry, and on Roy Fisher's sense of being a 'gutted Romantic', in order to illustrate two diverse ways of being post-Romantic in contemporary culture.
Les mer
Michael O'Neill's impressive study provides sensitive close readings of poets publishing since 1900, including Yeats, Eliot, Stevens, Bishop, Heaney, Muldoon, Mahon, Hill, and Hughes. He shows that Romantic poetry is a dominant presence in their poems. The book will greatly interest those who enjoy the exploration of poetry's attempt to deal with major human and cultural issues.
Les mer
Introduction: 'Original Response' ; 1. 'The All-Sustaining Air': Variations on a Romantic Metaphor ; 2. 'A Vision of Reality': Mid-to-Late Yeats ; 3. 'Dialectic Ways': T. S. Eliot and Counter-Romanticism ; 4. 'The Guts of the Living': Auden and Spender in the 1930s ; 5. 'The Death of Satan': Stevens's 'Esthetique du Mal', Evil, and the Romantic Imagination ; 6. 'Shining in Modest Glory': Post-Romantic Strains in Kavanagh, Heaney, Mahon, and Carson ; 7. : 'Just Another Twist in the Plot': Paul Muldoon's Madoc ; 8. 'Deep Shocks of Recognition' and 'Gutted' Romanticism: Geoffrey Hill and Roy Fisher
Les mer
Covers an impressive range of poets, including Eliot, Stevens, Bishop, Heaney, Muldoon, Mahon, Hill, and Hughes Subtle, sensitive, and close readings of many important poems bring them alive Finds meaning in poetry by approaching it as a form of literary criticism - a rewarding alternative to predominantly theoretical accounts Deals with many challenging twentieth- and twenty-first century poets, giving readers fresh access to numerous 'difficult' poems
Les mer
Michael O'Neill is Professor of English at Durham University. He has published books, chapters, and articles on many aspects of Romantic literature, especially the work of Percy Bysshe Shelley, and on an array of British, Irish, and American twentieth- and twenty-first century poets. He received the Eric Gregory Award in 1983 for his poetry and a Cholmondeley Award from the Society of Authors in 1990. He is a Director of the Institute of Advanced Study at Durham University (launched 2006).
Les mer
Covers an impressive range of poets, including Eliot, Stevens, Bishop, Heaney, Muldoon, Mahon, Hill, and Hughes Subtle, sensitive, and close readings of many important poems bring them alive Finds meaning in poetry by approaching it as a form of literary criticism - a rewarding alternative to predominantly theoretical accounts Deals with many challenging twentieth- and twenty-first century poets, giving readers fresh access to numerous 'difficult' poems
Les mer

Produktdetaljer

ISBN
9780199299287
Publisert
2007
Utgiver
Oxford University Press
Vekt
487 gr
Høyde
241 mm
Bredde
163 mm
Dybde
17 mm
Aldersnivå
UU, UP, 05
Språk
Product language
Engelsk
Format
Product format
Innbundet
Antall sider
224

Forfatter
O'Neill Michael

Biografisk notat

Michael O'Neill is Professor of English at Durham University. He has published books, chapters, and articles on many aspects of Romantic literature, especially the work of Percy Bysshe Shelley, and on an array of British, Irish, and American twentieth- and twenty-first century poets. He received the Eric Gregory Award in 1983 for his poetry and a Cholmondeley Award from the Society of Authors in 1990. He is a Director of the Institute of Advanced Study at Durham University (launched 2006).

Relaterte produkter